Anton Corbijn To Open “Waits/Corbijn ’77 – ’11” Exhibition On May 5th In Amsterdam

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On May 5th, WAITS/CORBIJN ’77 –’11, a limited edition book by Anton Corbijn and Tom Waits will be presented for the first time at &Foam the project space of Foam, the Photography Museum Amsterdam. To celebrate the book release, there will be an exhibition of unique material on display, allowing an insight into the book’s creative process and how this collaboration came to fruition. Anton Corbijn will be present at the event on May 5th to sign copies, ahead of the book’s worldwide release on the 8th of May. The presentation is organized by Foam, which since opening its doors in 2001, has established itself as one of Europe’s primary venues for photography. Foam has hosted solo exhibitions by key names in international photography, such as Henri Cartier-Bresson, Richard Avedon, Diane Arbus, Inez van Lamsweerde & Vinoodh Matadin, Annie Leibovitz and Anton Corbijn, whose major exhibition of recent work “Inwards and Onwards” was Foam’s highest attended show to date.

LOOK INSIDE THE BOOK

slipcase

WAITS/CORBIJN ‘77-‘11
Photographs by Anton Corbijn
Curiosities by Tom Waits
Collector’s Edition of 6,600 copies
with slipcase

List price:
€ 148.- plus local VAT
(D) € 158.36 / (A) € 162.80 /
(CH) CHF 204.00
(US) US$ 200.00 / (GB) GBP 135.00

10 x 14⅙ in. / 25.5 x 36 cm
272 pages, 226 color and duotone plates

ISBN 978-3-8296-0555-7

THE BOOK

WAITS/CORBIJN ‘77-‘11 is the celebration of an artistic collaboration that reaches back more than 35 years, to those first black-and-white photographs of Tom Waits taken by a young and virtually unknown Anton Corbijn in Holland in 1977. Corbijn would go on to acclaim for his iconic, enigmatic portraits of musicians and other artists – from U2 and Miles Davis to Robert De Niro and Clint Eastwood to Damien Hirst and Gerhard Richter – also becoming a pioneer in music video and more recently, an award-winning director of feature films.

By 1977, Tom Waits was already known worldwide for a series of stunning, timeless albums, filled with songs of a noir-tinged Los Angeles that owed as much to writers like John Fante and Jack Kerouac as it did to the jazz, blues, and tin-pan alley that had soaked into Waits’ pores from childhood. Ahead of Waits lay his partnership with Kathleen Brennan – leading to such touchstone recordings as Rain Dogs and Mule Variations – his film work with the likes of Francis Ford Coppola and Jim Jarmusch, and his stage projects with legendary director Robert Wilson.

In those first photographs, then, are the seeds of these two intertwined careers, feeding off each other. Waits’ vibrant persona helped Corbijn define his narrative, cinematic style of still photography: images that felt as if you were coming in on the middle of some unfolding drama. In turn, Corbijn helped Waits evolve his visual style into a new theatrical self that synced beautifully with the experimental music he was making with Brennan. And lead him to his own photography, collected here for the first time under the title “Curiosities,” a visual handle to the artistic intelligence millions of fans know only through his music. Photographs of Tom Waits by Anton Corbijn, photographs by Tom Waits of the vivid quotidian, stretching down through the years, and presented for the first time in a beautiful clothbound book; side by side, these 226 images record one of the longest and most fruitful collaborations in the careers of both artists.

One of the best anti-war song/video: Hell Broke Luce by Tom Waits

Sources: Tom Waits-Anton Corbijn, Tom Waits news, YouTube, Wiki

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