Muse – Tour Dates [Abu Dhabi & Australia] + Music Video

Tour Dates

  • 02 Nov 2013

    Du Arena, Abu Dhabi, United Arab Emirates

  • 30 Nov 2013

    Perth Arena, Perth, Australia

  • 04 Dec 2013

    Adelaide Entertainment Centre, Adelaide, Australia

  • 06 Dec 2013

    Rod Laver Arena, Melbourne, Australia

  • 07 Dec 2013

    Rod Laver Arena, Melbourne, Australia

  • 10 Dec 2013

    Arena Brisbane, Brisbane, Australia

  • 13 Dec 2013

    Allphones Arena, Sydney, Australia

Gojira, metal Land(es) + Dates de la tournée

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Né en 1996 à Ondres, dans les Landes, le groupe des frères Duplantier a atteint une renommée internationale qui l’emmène pour un mois de tournée aux Etats-Unis, de Las Vegas à Boston, en compagnie des mythiques Slayer.

Qui aurait pu imaginer qu’un petit groupe du sud des Landes, deviendrait un jour le plus international des groupes de rock en France ? Après dix-huit ans d’existence, Gojira, né à Ondres (40) d’une fratrie (Joseph et Mario Duplantier) et d’une bande de copains est devenu une pointure de la scène metal internationale. Gojira joue partout dans le monde, avec les plus grands (Metallica pour ne citer qu’eux) et bénéficie d’une aura et d’une respectabilité en acier trempé. Comment peut-on en arriver là ? Éléments de réponse avec Mario Duplantier, 32 ans, le batteur du groupe.

« Sud Ouest Dimanche ». Vous jouez partout dans le monde. Vous avez encore du temps à consacrer à vos terres d’origines, les Landes et le Pays Basque ?

Mario Duplantier. On ne vit pas tous à Ondres, mais le QG du groupe reste à Ondres, dans les Landes. On s’y retrouve pour préparer les tournées et ensuite on part sur la route. Mon frère a un appartement à New York où il passe du temps. C’est une ville qui l’inspire énormément. Et puis, le statut et l’emploi du temps du groupe le permettent. Nous sommes devenus un groupe international et nous tournons autant aux États-Unis qu’en Europe. Prendre un avion pour sept ou dix heures, maintenant c’est devenu la routine. Lorsque l’on rentre, le temps consacré à nos familles et à nos vies personnelles est devenu de plus en plus important.

Il faut bien s’entendre lorsque l’on est toujours ensemble, sur la route…

Il y a une sorte de fluidité entre nous qui est très précieuse et qui fait beaucoup pour le succès du groupe. On essaie de ne pas avoir la grosse tête car il y en a toujours un pour ramener l’autre sur terre. Je suis avec trois amis en permanence. Un frère et deux très bons amis et mon frère est aussi un ami. Et on a cette chance de voyager dans le monde tous ensemble.

Vous avez déjà joué aux États-Unis, mais la tournée que vous allez entamer en première partie de Slayer semble encore un niveau au-dessus…

Tourner avec Slayer, qui est une légende du metal, c’est jouer dans des salles prestigieuses. Donc oui cette tournée fait rêver. Surtout quand on vient de France et que l’on sait que l’on va jouer à Las Vegas, à Los Angeles, dans des salles de 5 000 places, que l’on va jouer au Madison Square Garden à New York, pour nous ça reste incroyable et on est émerveillés par ce qui nous attend.

L’an dernier vous avez joué avec Metallica, cette année avec Slayer. Comment un groupe français se fait repérer par ces légendes du rock américain ?

Metallica est un groupe très observateur. Ils sont à l’affût de ce qui se passe dans le milieu. Ils avaient constaté qu’il y avait quelque chose autour de Gojira, donc ils nous ont appelés et nous ont proposé de jouer en première partie. Peu avant notre tournée avec Metallica, le bassiste est venu nous voir jouer à San Francisco. Il était dans le public et sa présence m’avait marqué. J’ai l’impression qu’il était là pour voir si vraiment notre groupe tenait la route. Donc c’était vraiment un coup de cœur de Metallica.

Vous êtes aujourd’hui presque plus connus à l’étranger qu’en France. Nul n’est prophète en son pays ?

On a fait nos armes en France et il y a eu une période où l’on ne tournait qu’en France et où nous étions très populaires. Je me souviens de la sortie de notre album en 2005 où l’on a fait quasiment 40 000 ventes, ce qui est bien dans le metal. Il y avait énormément de critiques positives et nous étions une sorte de fierté nationale. Maintenant, le fait que l’on ait percé à l’étranger, qu’il y ait moins d’exclusivités pour la France, ça titille pas mal de gens, mais je trouve que l’on a quand même beaucoup de soutiens en France. On l’a vu notamment au Hellfest (NDLR : qui a réuni 100 000 festivaliers en 2013) où nous avons joué sur la grande scène. Les gens étaient là. Du moment où l’on s’expose, on est critiqués, mais je trouve que le public nous respecte.

La musique que vous jouez, le metal est parfois montrée du doigt, mal comprise. Comment le vivez-vous ?

Je pense que tout ça c’est une apparence. Il y a pas mal de tabous dans notre société. Quand quelqu’un dit qu’il va mal, ça embête les gens, quand quelqu’un parle de la mort ça embête les gens. Et puis beaucoup de ce qui est diffusé à la radio ou à la télé est assez médiocre. C’est de la musique easy listenning pour ne pas déranger les gens, pour ne pas rajouter des tracas à leur quotidien. Le metal, c’est une musique particulière et il peut y avoir des amalgames car on entend des hurlements, il y a une violence sonore donc physique aussi, mais c’est dommage parce que beaucoup de gens qui ne s’intéressent pas au metal pourraient adorer cette musique en grattant un peu. Il n’y a pas de tabous avec le metal. En tant que batteur, cela me permet de lâcher de la joie, de la peine, de la douleur. Pour moi c’est vraiment une expérience.

Savez-vous qu’une pétition circule sur Internet pour demander que vous représentiez la France à L’Eurovision ?

J’ai entendu dire ça. Mais pourquoi pas, si on veut bien de nous à l’Eurovision, je suis d’accord. Mais je n’ai pas envie d’avoir comme mission de faire connaître le metal à la masse. Sinon ça pourrait être marrant si on nous faisait cette proposition.

Upcoming | Local Dates Share:
Date Venue Location Tickets
  Nov 01 WAMU Center Seattle, WA Tickets RSVP
  Nov 02 Venue Vancouver, Canada Tickets RSVP
  Nov 03 Stampede Corrall Calgary, Canada Tickets RSVP
  Nov 04 Shaw Center Edmonton, Canada Tickets RSVP
  Nov 05 Praireland Park Center Saskatoon, Canada Tickets RSVP
  Nov 07 MTS Center Winnipeg, Canada Tickets RSVP
  Nov 08 Myth Minneapolis, MN Tickets RSVP
  Nov 10 Fun Fun Fun Fest Austin, TX Tickets RSVP
  Nov 11 House of Rock Corpus Christi, TX Tickets RSVP
  Nov 12 Bayou Music Center Houston, TX Tickets RSVP
  Nov 13 South Side Ballroom Dallas, TX Tickets RSVP
  Nov 15 Aragon Ballroom Chicago, IL Tickets RSVP
  Nov 16 The Fillmore Detroit, MI Tickets RSVP
  Nov 17 LC Pavilion Columbus, OH Tickets RSVP
  Nov 19 The Fillmore Washington, DC Tickets RSVP
  Nov 20 Stage AE Pittsburgh, PA Tickets RSVP
  Nov 21 Ricoh Colibsum Toronto, Canada Tickets RSVP
  Nov 23 CEPSUM/ University of Montreal Montreal, Canada Tickets RSVP
  Nov 24 Pavilion de la Jeunesse Quebec City, Canada Tickets RSVP
  Nov 25 Higher Ground South Burlington, VT Tickets RSVP
  Nov 26 Oakdale Theatre Wallingford, CT Tickets RSVP
  Nov 27 Theater at Madison Square Garden New York, NY Tickets RSVP
  Nov 29 Susquehanna Bank Center Camden, NJ Tickets RSVP
  Nov 30 Tsongas Arena Boston, MA Tickets RSVP

Watch: LAMB OF GOD “Vigil” music video premiere – A True Gem!

The song, ‘Vigil’ is one of LoG’s most iconic tracks and was featured on the album As The Palaces Burn which was recently released digitally remastered to celebrate it’s 10th anniversary.  The remastering has done wonders for this song, and it rocks every bit as much as it did when the album was released. Here’s to some nostalgic headbanging. You can check the video out below:

About the Album:
As the Palaces Burn is the third studio album by American groove metal band Lamb of God, released under Prosthetic Records in 2003. As the Palaces Burn received considerably more airplay than their previous effort, with three singles. The album was produced by Lamb of God and Devin Townsend. The album has sold around 250,000 copies in the United States. The band are releasing a 10th anniversary edition of the album this on November 2013, with remixed and remastered tracks, including bonus demo tracks.

Their second album, “As the Palaces Burn”, is a brutal barrage that pulls no punches and pummels the listener’s ear drums. With its impenetrable wall of sound, killer double bass drumming, fiery guitar work and an occasional guitar solo, this album should be any and every metalhead’s dream.

The band didn’t make this album on a major record label, so there isn’t a big production job. Thus, singer Randy Blythe’s voice and Chris Adler’s drums are more raw than on their next release, “Ashes of the Wake.” It’s up for debate whether that’s a good thing or not, but there’s no denying that Blythe’s yell/growl goes great with the background music.

Due to the production, Blythe’s vocals take a back seat to the guitars and drums. Drummer Chris Adler is at the root of Lamb of God’s attack. He makes the beat a big, relentless wave which gets shoved down the listener’s throat. But he sometimes creates breakdowns that change the beat (to a usually slower and heavier one). Sometimes, when listening to this album, I could have sworn Adler wasn’t beating his drums, but beating the outside of my headphones. Adler’s persistent double bass drumming (which is usually a death metal blast beat or machine gun attack) and Blythe’s Cookie Monster vocals make Lamb of God stand out from other “New Wave of Metal” bands.

“Ruin” is a good representation of Lamb of God: super aggressive, hard hitting and raw. It has a “ba boom boom” beat with pounding drums and Blythe shrieks like he’s being stabbed. There’s a breakdown in the middle of the song (following the guitar solo), making a bobbing beat with bobbing guitars. It ends with another mini solo and a small explosion sound.

“Purified” features guest guitar work by ex-Megadeth axeman Chris Poland. The solo he lays down here is good, but I would have definitely liked it more if it were longer.

“11th Hour” is the lead single and a personal favorite. The whole song is catchy, but I like it when Blythe bellows over just the double bass (no other instruments). Also, this song has GREAT give-and-take between the guitars and drums. After this part, it turns to Pantera-style riffing.

“Boot Scraper” begins with cascading (almost machine gun) riffs and drums, but my favorite part of this song is pounding double bass solo. Adler must have had bricks attached to his feet when he was playing this part.

“A Devil in God’s Country” is almost mind boggling (with rapid, back-and-forth guitar and drum work).

“Blood Junkie” begins with an almost inaudible spoken word, but the vocals gain volume as the song progresses. This track is a highlight because it has (1,2,3,) 4 beat changes and heavy breakdowns. Part of this song has bobbing riffs.

“As the Palaces Burn”  is a contagious album,  there should be nothing to deter you from checking this album out if you love metal or thrash or the “New Wave of American Heavy Metal” scene. Or, if you are just tired of hearing such bands as Nickelback or other wimpy modern rock bands that control the radio’s airwaves, Lamb of God should be your dream come true.

Track listing:

All songs written and composed by Lamb of God.

No. Title Length
1. “Ruin” 3:55
2. “As the Palaces Burn” 2:24
3. “Purified” 3:11
4. “11th Hour” 3:44
5. “For Your Malice” 3:43
6. “Boot Scraper” 4:34
7. “A Devil in God’s Country” 3:16
8. “In Defense of Our Good Name” 4:13
9. “Blood Junkie” 4:23
10. “Vigil” 4:42
Total length:
38:06
10th Anniversary bonus tracks
No. Title Length
11. “Ruin” (demo)
12. “As the Palaces Burn” (demo)
13. “Blood Junkie” (demo)

Personnel:

Lamb of God
Additional musicians
Personnel
  • Devin Townsend – production, engineering
  • Shaun Thingvold – mixing
  • Louie Teran – mastering
  • Carla Lewis, Dan Kearley, Dennis Solomon, Grant Rutledge, Scott Cooke – assistant engineers
  • Petar Sardelich – engineer for Chris Poland
  • K3N – artwork
  • Adam Wentworth – picture disc artwork redesign

Here is a look at the documentary that comes with the 10th anniversary edition of As The Palaces Burn, featuring interviews with the band, and producer Devin Townsend and other people involved in the process.  Pre-order the album here.

Metal Injection are giving away A Pair of Tickets to Each Stop of the LAMB OF GOD, Tour!

Enter to win tickets: Metal Injection

20 Best-Selling Vinyl Albums Of The Last 20 Years

20.2013_TheBeatles_Anthology_281013

The Official Charts Company has announced the 20 best selling vinyl albums in the last 20 years, and here they are from 20-1. At number 20 we have the The Beatles’ ‘Anthology 1’ Released in 1995, it was the first instalment of a trilogy set of albums by the Beatles. Comprising a mixture of 60 tracks of live performances and unreleased sounds.

19.2013_DjShadow_Endtroducing_281013

In 1996 the face of hip hop changed with the release of DJ Shadow’s ‘Endtroducing’ . The American studio album was produced under the label Mo’Wax and comes in 19th place. Despite the basic production and the high use of samples, this album is considered to be a landmark album.

17.2013_Oasis_BeHereNow_281013

Described as the second coming of The Beatles, Oasis was at the height of their fame 15 years ago. Released in 1997 ‘Be Here Now’ became Oasis’ third album and had been a highly anticipated album by their fans and critics. Being 17th top seller in vinyl comes as no surprise.

18.2013_Pulp_DifferentClass_281013

Pulp were seen to be pioneers in the Britpop movement and in 1995 ‘Different Class’ propelled the group to fame. The 5th studio album bought two singles: ‘Common People’ and Disco 2000’ both being in the top 10 in UK charts.

16.2013_NeilYoung_Harevest_281013

Canadian musician Neil Young’s ‘Harvest’ was the best selling album in the US in 1972. Doing something different within the rock genre he used London Symphony Orchestra, which helped him top the Billboard 200 album chart for two weeks.

15.2013_Prodigy_MusicForTheJiltedGeneration_281013

In 15th place Prodigy released ‘Music for the Jilted Generation’ in 1994. Focusing on electronic dance music the group remastered this album in 2008 including bonus tracks.

14.2013_Nirvana_UnpluggedinNewYork_281013

Nirvana recorded live album ‘MTV Unplugged In New York’. This was the first album released by the band since Kurt Cobain passed. This album is 14th in the countdown to number 1. It won a Grammy for Best Alternative Music album in 1996.

13.2013_Blur_Parklife_281013

Blur’s Parklife was the album that bought the band back to the forefront of the Britpop movement in 1994. Certified four times platinum in the UK, Blur fought off competition from Oasis with hit singles like: ‘Girls and Boys’ and ‘To The End’. Frontman Damon Albarn said Parklife was “the travels of the mystical lager-eater, seeing what’s going on in the world and commenting on it.”

12.2013_StroneRoses_SecondComing_281013

‘Second Coming’ was the second studio album by the Stone Roses. It took the band 2 years to record the album, released in 1994. At number 12 the band sold 1 million copies. The album has an unusual track listing with 99 tracks, 77 of which are silent after the song ‘Love spreads’.

11.2013_PaulWeller_StanleyRoad_281013

The third studio album by Paul Weller: ‘Stanley Road’ is at number 11. The album took its name from a road where he grew up in Woking. Paul told the BBC he hopes he can one day create an album as perfect as this one.

10.2013_Prodigy_TheFatOfTheLand_28101310.

As of 2012 the Prodigy’s ‘Fat Of The Land’ has sold 10 million copies worldwide despite being released in 1997. Drawing inspiration from the old English phrase, the band will definitely be living well. The album comes in the countdown at number 10.

9.2013_Queen_MadeInHeaven_281013

‘Made In Heaven’ released by Queen in 1995 was the 15th and last album that featured the late Freddie Mercury. The album debut at number one in the UK and went four times platinum, selling 20 million copies worldwide.

8.2013_MassiveAttack_ProtectionNoProtection_281013

Massive Attack’s Protection/No Protection is the second album remixed by British producer Mad Professor. This album bought a fusion of different sounds and genres together.

7.2013_Beatles_Liveatthebbc_281013

‘Beatles Live At The BBC’ is rated 7th highest selling vinyl. Made in 1994 it is an album dedicated to performances by the Beatles which were originally broadcast by the BBC in 1963 to 1965.

6.2013_Leftfield_Leftism_281013

Leftfield’s Leftism is the first album by electronica musicians Paul Daley and Neil Barnes. Released in 1995 by Columbia Records the album features reworked songs and some new original pieces.

5.2013_Radiohead_KingOfLimbs_281013

The King of Limbs by Radiohead was a self-released album in 2011. With it being their 8th studio album the band let little information out before its release. The album was originally released as an MP3 download followed by a CD. It’s 5th in the best-sellers list.

4.2013_TRAVIS_TheInvisibleBand_281013

The Scottish indie pop band Travis released ‘The Invisible Band’ in 2001. The name of the album refers to the band having famous and influential songs but not being regarded famous themselves.

3.2013_Portishead_dummy_281013

‘Dummy’ is Portishead’s debut album. Based in Bristol the group made the album in 1994 and later won the Mercury music prize in 1995.

2.2013_OASIS_DefinitetlyMaybe_281013

With ‘Definitely Maybe’, Oasis went straight to number one in 1994 in the UK, gaining positive commercial and critical success. Oasis helped revitalise the Britpop genre along with other groups like Blur.

1.2013_OASIS_WHATS_THESTORYMORNINGGLORY_281013

What’s The Morning Story Glory’ by Oasis is the number one selling vinyl in the last 20 years. Released in 1995 won the award for the Best British album in the last 30 years at the 2010 Brit Awards.