Pearl Jam Play Entire ‘No Code,’ Debut New Song at Moline Concert

 

 

 

Pearl Jam had a pair of major surprises in store for fans at their Friday night concert at Moline, Illinois’ iWireless Center. Not only did Eddie Vedder debut a new song dedicated to the Quad Cities town, Pearl Jam performed their 1996 album No Code straight through in its entirety, from “Sometimes” to closer “Around the Bend,” Jambase reports. “No Code. Front to back. #PJMoline #PJFall2014,” the band tweeted before sharing a photo of the Moline setlist, which confirmed that the new song Vedder debuted onstage was also called “Moline.”

According to WQAD, Vedder told the crowd that the new song was written especially for Moline and the Quad Cities area. “Moline, it seems, this is for me. You can call me Nancy and I live in Moline,” Vedder sings on the track that’s about a woman who leaves Detroit for the Illinois city. Vedder also revealed that he’d written the song just minutes before the band took the stage, and that the cut was related to Vitalogy‘s “Better Man.”

It’s unclear why Pearl Jam opted to make Moline, Illinois the setting for the No Code performance other than the fact that the 1996 album was partially recorded nearly two decades ago at the not-so-nearby Chicago Recording Company studio. Vedder joked following the performance of No Code‘s “Off He Goes,” “Alright, end of side one.” The singer told the crowd that the No Code performance marked only the second time the band had performed a studio album of theirs in its entirety; as the band’s official message board points out, Pearl Jam played their whole 2006 self-titled record, out of sequence, at a Torino, Italy concert in September of that year.

In a wild coincidence, on the same night that the Foo Fighters were rocking out with Cheap Trick’s Rick Nielsen at Chicago’s the Cubby Bear and on a previously recorded Late Show With David Letterman performance, Mike McCready also paid tribute to the guitarist by busting out a checkerboard guitar Nielsen had given him while Jeff Ament brought out a bass with a similar pattern.

Pearl Jam’s Musician and Activist Eddie Vedder : ‘Black’ + Interview

 

 

Eddie Vedder Talks Music, Activism

Pearl Jam exploded onto the Seattle music scene in 1991 and has been fending off celebrity ever since. The group’s debut album, “Ten,” reached No. 2 on the pop charts and has sold some 12 million copies, but the band shunned endorsements and shied away from almost all self-promotion, even refusing to make videos for a time. Close to two decades later, it’s clear they didn’t need the hype. In a 2005 USA Today readers’ poll, Pearl Jam was voted the greatest American rock band of all time. They’ve managed to take up causes from health care to antitrust, even testifying before Congress in a Justice Department probe into Ticketmaster. Currently at work on their ninth studio album, Pearl Jam is re-releasing “Ten” in four new and expanded editions that include six bonus tracks. Lead singer Eddie Vedder, 44, spoke about the reissue, balancing music with activism, and life as a father of two. Excerpts:

How has Pearl Jam changed in the years since “Ten” was first released?
Eddie Vedder: I think in so many ways we’ve grown up, but I think in music you’re also able to hang on to a part of youth that in a normal job you’d have to surrender. In a way, it was a blessing that we didn’t have families at the time, because we could give everything to the music. But I never thought we’d have to actually look back and answer questions about 20 years ago.

How much of this has become about activism for you, and how much is still about music?
I think it’s always been a balance. I think music is the greatest art form that exists, and I think people listen to music for different reasons, and it serves different purposes. Some of it is background music, and some of it is things that might affect a person’s day, if not their life, or change an attitude. The best songs are the ones that make you feel something. But it’s really a balance, because part of it is just, well, you’re a rock-and-roll band. But what happens is you learn that a rock-and-roll band can be a whole lot of things.

Has the way you pursue activism changed?
Back [in our early days] it was very knee-jerk: You’d want to kick out a stained-glass window to get your point across. Now you try to deliver better business plans to corporate entities so they can still make a profit, but do it without destroying land or culture.

Has having a family changed your views about celebrity?
I don’t really have too many views on it, to be honest. [Laughs] Seattle’s very close-knit, and I don’t feel any different, even though I have a different job than some of the other parents at school. How else do I answer that?

Well, what’s it like to be a rock star?
You know, rock stardom … I have a hard time discussing that because I don’t really accept it. It’s not really that tangible. What’s really bizarre is how it’s used as a thing—you know, “He’s the rock star of politics,” “He’s the rock star of quarterbacks”—like it’s the greatest thing in the world. And it’s not bad, but it’s just different. I don’t understand it. Cause I’m going, “Well—am I that?” I want to be the plumber of rock stars.

How do you keep your music relevant?
I think by pushing the boundaries, by not doing something you’ve already done, and pushing each other as bandmates to create in a new way.

Do you miss that Seattle heyday of the early ’90s at all?
I think what we miss is the bands all showing up at each other’s shows, and five people being up onstage, and then the next night the same people that were up onstage being in the audience and vice versa. Everyone was very supportive of each other. And, you know, there were some great f–king living-room parties as well. And it still happens, it’s just a little less.

Does that community you talk about still exist?
You know, it’s amazing how few bands are able to keep it together. But I’d like to think there’s still a number of us who, for lack of a better word, are slaves to rock and roll. It’s in us and we need it. And I think it’s trickier now because a lot of us have to be a little bit more grown up. We’re parents and we’re figuring out how to do both. Because as much as I would dedicate my life solely to music, I wouldn’t sacrifice the kids’ upbringing to do it.

You recently had a second daughter.
Yep, she’s 4 months old. She was born on Bruce Springsteen’s birthday. So my one kid’s 4, my other kid’s 4 months, I’m 44 —it’s all lining up nicely here.

Do you still wear a lot of flannel?
I’m not wearing one today, but I sure was wearing one yesterday.