Interpol stream new album ‘El Pintor’ ahead of official release!

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Interpol is an American rock band from New York City. Formed in 1997, the band’s original line-up consisted of Paul Banks (vocals, guitar), Daniel Kessler (guitar, vocals), Carlos Dengler (bass guitar, keyboards) and Greg Drudy (drums, percussion). Drudy left the band in 2000 and was replaced by Sam Fogarino. In 2010, shortly after recording finished for the band’s fourth album, Dengler left to pursue personal projects.

Having first performed at Luna Lounge along with other notable bands like The Strokes, Longwave, The National and Stellastarr, they are one of the bands associated with the New York City indie music scene, and was one of several groups that emerged from the post-punk revival of the 2000s. The band’s sound is generally a mix of staccato bass and rhythmic, harmonized guitar, with a snare heavy mix, drawing comparisons to post-punk bands such as Joy Division and The Chameleons. Aside from the lyrics, their songwriting method includes all of the band members, rather than relying on any given chief songwriter.

The band are set to release their long-awaited new album El Pintor on 8 September and today we’re getting our first proper taste from it in the form of ‘All the Rage Back Home’. It’s got Paul Banks’ signature deep croon ala Turn on the Bright Lights in the way the song is both moody and upbeat. The song was premiered earlier on Zane Lowe’s Radio 1 show, and you can check out the music video for it below:

 

The album is officially released on September 8, but fans can listen to a stream of the album via NPR. The record features new songs ‘Anywhere’ and ‘All The Rage Back Home’, which are on the band’s fifth studio album, following 2010’s ‘Interpol’.

Interpol will embark on a short tour of the UK and Ireland next year, playing London’s Roundhouse on February 6-7, Manchester Albert Hall (8) and Dublin Olympia (10-11). The shows will take place as part of a wider European tour in support of their new album.

Interpol share new song ‘Ancient Ways’

 

The first line of the new Interpol song, ‘Ancient Ways’, simply says “ooooh, fuck the ancient ways!” so it’s pretty intense. Thundering drums and driving guitars power through the song, a pumped-up version of their trademark sound. Old school Interpol fans should love this one quite a bit (I know I do), and you can stream it for yourself.

enjoy!

 

 

 

 

Krist Novoselic Comments on Israel-Palestine Conflict, Defends Vedder

“It is the knuckleheads on both sides that should be criticized and not the singer from a rock band”

Krist Novoselic Dimitrios Kambouris/Getty Images.

Krist Novoselic
Dimitrios Kambouris/Getty Images.

 

July 21, 2014

Former Nirvana bassist and political activist Krist Novoselic has voiced his support for Eddie Vedder’s recent anti-war statements in a post on his website. Over the past week, the Pearl Jam frontman has made several comments condemning war in general. When the Israeli media interpreted the statements as referring to that country’s ongoing conflict with Palestine, Vedder posted a statement to Pearl Jam’s website saying, “War hurts. It hurts no matter which sides the bombs are falling on.” Novoselic also interpreted the comments to be about Palestine and Israel and wrote to Vedder, “I stand with you my friend!!!”

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“The people of Palestine and Israel deserve peace and prosperity,” the bassist wrote. “It is time to stop repeating the same old arguments, dogma and hate speech. It is the knuckleheads on both sides that should be criticized and not the singer from a rock band. In addition, both sides need to make hard decisions about finding a settlement to the catastrophe that is Israel/Palestine.”

For most of his 550-word missive on the subject, Novoselic addressed the decades-long conflict between the two countries. He praised Israel for encouraging religious freedom in its country and acknowledging that millions of Palestinians feel that Israel has displaced them. But he also pontificated on the long-term effects of war, specifically between Israel and Palestine. “[Palestinian] Hamas’ policy of not recognizing Israel is a dead end,” he wrote at one juncture. Elsewhere, he wrote, “You can give any anecdote you want about how small Israel is in comparison to the rest of the Middle East but the sentiment is still there – Palestinians feel that their land was taken away.”

“Our world is connected as never before,” the bassist wrote. “People from all corners of the planet share culture and commerce at the click of a mouse. In contrast to this great convergence of humanity, Israel is building tall concrete walls while Palestinians fire rockets over them. There’s a shared recent history between these people, and I think there could be a shared future that’s more in tune with what’s going on with our ever-connected universe.”

Novoselic compared the conflict to the way Ireland settled “the troubles” of the 1960s in Ireland, and how the “19th Century idea” of Yugoslavia ultimately fell apart. “In both these cases, a resolution of the conflict was buttressed by the promise of the stability needed for prosperity to happen,” wrote Novoselic, who was born to immigrants from Croatia, a country that was part of Yugoslavia until the early Nineties.

“Thank you Eddie Vedder for speaking up for peace in our world,” Novoselic wrote. “Eddie has gotten some criticism over comments he made about the conflict between the Palestinians and Israelis. That situation has been messed up for so long, it is no wonder that even mentioning it is toxic. Let’s face it, the relationship between the Palestinians and the Israelis is a disaster! I don’t know how many times I have heard the same explanations and excuses and it matters not, there is a continuing catastrophe between those two peoples.”

Most recently, Vedder spoke against war at his July 18th solo concert in Portugal, where he also played what he called “the most powerful song ever written,” John Lennon’s “Imagine.” “If you’re anti-war it doesn’t mean you are ‘pro’ one side or the other in a conflict,” he said.

Listen: Interpol’s new single “All the Rage Back Home”

Interpol at Governors Ball 2014(Photo : Ryan Book)

Interpol at Governors Ball 2014(Photo : Ryan Book)

Indie rock band Interpol is starting to paint the picture of its new album El Pintor, and it’s looking to be full of nothing but unbridled power. Today (July 9), the New Yorkers released the studio version of its new single “All The Rage Back Home.”

After debuting the track live several times, including an enthusiastic hometown set at Governors Ball, the studio version of “All The Rage Back Home” features a lively, upbeat side of Interpol, rarely heard since the band’s sophomore album Antics.

Though it begins with the signature glossy Interpol guitars and lead singer Paul Banks’ mournful, calming croon, “All The Rage Back Home” kicks up the enthusiasm at the 50-second mark, turning into a jaunty number featuring more power, driving bass and bopping energy than heard from the band in years.

Fans of the band will be relieved by the new single, which perfectly blends together its critically-acclaimed first two albums with a properly sick hook.

Listen to “All The Rage Back Home” below:

Interpol’s new album El Pintor will be released Sept. 9. It’s the first album recorded without original bassist Carlos D and the immediate follow-up the band’s 2010 self-titled effort.

interpol-el-pintor

Press for El Pintor has promised a “reinvigorated” Interpol, and there’s certainly evidence of that with “All the Rage Back Home”. In a way, the band returns to the days of Turn on the Bright Lights: not necessarily in the sonics, but in the enthusiasm they use to forge this kinetic post-rock ballad marked by jagged bass grooves, scintillating guitars, and Paul Banks’ anthemic croon. It’s a track that demonstrates a renewed hunger and a return to a sound that strikes hard and fast.

 

El Pintor is due out September 9th via Matador Records. Find the full tracklist ahead.

El Pintor Tracklist:
01. All the Rage Back Home
02. My Desire
03. Anywhere
04. Same Town, New Story
05. My Blue Supreme
06. Everything Is Wrong
07. Breaker 1
08. Ancient Ways
09. Tidal Wave
10. Twice as Hard

 

PREMIERE : The Gas Light Anthem’s New Single ‘Get Hurt’

The Gaslight Anthem's Youtube Channel

The Gaslight Anthem’s Youtube Channel

Not long after 2010’s Handwritten reached the Top Five in the U.S., U.K. and Canada, the Gaslight Anthem returned to the studio intent on progressing, attempting to shake up their now successful sound. The resulting album, Get Hurt, will be released August 19th on Island Records, and here you can listen to its slow-building lead single, also titled “Get Hurt.”

“With Get Hurt we wanted to see where else we could go with the band,” frontman Brian Fallon tells Rolling Stone. “We thought it was time to change things up a bit. The song itself is similar to the feeling of a wreck you see coming, but long past the point you can avoid it.”

Earlier in the year, Fallon spoke more about the inspiration behind the new LP: “For this record, I went back and studied any band that had changed: the Stones, the Beatles, U2, Frank Zappa, Pink Floyd, all those bands. I was looking at any band that was one thing and then became something else. How did they do it? Did they do it overnight, or did they do it in stages? I wanted to figure out how far you can go without pissing people off.”

THE GASLIGHT ANTHEM – ‘GET HURT’ [AUDIO]

Album Stream – The Orwells’ ‘Disgraceland’

The Orwells

The Orwells

Album Stream – The Orwells’ ‘Disgraceland’

Chicago’s newest garage rock rebels The Orwells may only just be leaving their teens behind, but they’re already gearing up to release their second LP – with the brilliantly tongue-in-cheek title of ‘Disgraceland’ – on June 2.

Famed for their raucous live shows invoking the chaotic hedonism of Atlanta’s favourite tearaways Black Lips, and singer Mario Cuomo’s outlandish stage behaviour and outspoken tongue (the band’s recent comments about Arctic Monkeys’ stage patter being predictable landed them in hot water), the band are leading the charge of punk-spirited young bands putting fun at the fore.

A giant step on from the DIY ethos of 2012 debut ‘Remember When’, ‘Disgraceland’ ups the production values to form something that’s still full of carefree youth, but could also sit happily on the radio. You’ll probably have heard filthy first single ‘Dirty Sheets’ – a squalling mass of prowling riffs and 60s garage strut – while other recent cuts ‘The Righteous One’ and ‘Blood Bubbles’ are, in turn, full of brilliantly snotty swagger and surprisingly epic tendencies. Elsewhere on the record, the quintet up the pop factor on ‘Bathroom Tile Blues’, while old favourite ‘Who Needs You’ is still as much of a middle finger to the man as ever.

‘Disgraceland’ is due for release on Canvasback/ Atlantic next Monday, but for now you can stream the whole thing exclusively below. Let us know what you think in the comments section.