Band to Watch: The So So Glos


Brooklyn D.I.Y. leaders mix punk ethics with pop songwriting

The quartet is comprised of two brothers (Alex and Ryan Levine) and their stepbrother (Zach Staggers), who’ve been playing music together since they were kids growing up in Brooklyn’s Bay Ridge neighborhood. The only non-relative, guitarist Matt Elkin, joined the band in 2008 after the brothers persistently sweet-talked him into it mere days before their first national tour. Since then, the So So Glos have formed a full-fledged North Brooklyn scene around themselves while honing their musical chops. Their second full-length, Blowout, was release on April 23rd through their own label, Shea Stadium Records.

D.I.Y. or Die: If you’ve ever been to an all-ages D.I.Y. show in Brooklyn, there’s a high likelihood the members of the So So Glos had something to do with it. First, they co-founded the beloved Bushwick performance space Market Hotel (now shuttered, soon to be reopened), then moved on to Shea Stadium, a bigger, badder venue that runs co-op style with help from all members of the So So Glos. The venues were created out of necessity – the band couldn’t get shows at first, so they created their own opportunities – but now the So So Glos are the ones dishing out advice to the baby bands looking to navigate the house show circuit.

Punk Ethics, Pop Songwriting: They describe themselves as simply rock & roll, and their simplicity is refreshing. Blowout is tight and well-crafted, with the guys name-checking 1960s Brill Building songwriters and Iggy Pop in equal measure. The album’s themes, on the other hand, are decidedly modern, chronicling 21st-century struggles with identity and technology in an earnest way.

New York, I Love You But You’re Bringing Me Down: The band’s perspective lies in its name, which originated as a reaction to the cooler-than-thou New York garage-rock scene of the early 2000s. “The term ‘so so glo’ originally was written into our song ‘Broken Mirror Baby,’ which was a self-critique of a whole generation of narcissists and egotists, inspired by the hip nature of New York City,” singer/bassist Alex Levine tells Rolling Stone. “It’s the apathetic vibe that we encountered when we first started the band, and it became a term that we called each other when we felt like we were being full of ourselves.” His brother Alex adds, “It’s a fight on pretending, but it’s also a self-awareness thing – a fight against your own ego.”

Via votiv

MGMT @ Brooklyn’s Barclays Center – December 13, 2013

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MGMT is the American band that’s been shaking up the indie scene for the past five years. Their style is difficult to shove into one genre of music, but contains elements of indie, psychedelic rock, and pop. MGMT broke onto the scene in 2007 with their hit album, Oracular Spectacular, which featured the hit single, “Kids”.

At the Barclays Center in December, MGMT played to an ecstatic (and young) crowd at Barclays Center that was their first NYC show in nearly 3 years. A homecoming of sorts. It’s been 5 years since I’ve gotten to see MGMT live, and that was when they were a young band opening for Beck. Back then they were still coming into their own. After seeing their performance last night, it’s safe to say they’ve definitely done so.

3/4 of first opener Kuroma were actually Hank Sullivant, James Richardson, and William Berman of MGMT. With the addition of Simon O’Connor, they created Kuroma. They had a groovy, jangly indie-rock vibe that was very lose, almost surf-rock at times.

Up next was Dinosaur Jr. who have been at it since the mid-80′s, but were opening for MGMT. Interesting choice, but you’ll hear no complaints from me. It’s always a pleasure to catch these guys, who are legends at this point. J Mascis is always a pleasure to watch at work, punching away at some powerful guitar riffs and slacker vocals that are more than influential. Bring earplugs if you see these guys, they bring the heat.

As I mentioned earlier, it’s been way too long since I’ve seen MGMT. I only saw them as an opener for Beck, and although I enjoyed it, there was definitely room for improvement. From the first note of set-opener “Flash Delirium”, I could tell that MGMT were not the same band. They sounded ten times tighter and more confident that they were 5 years ago, almost a new band entirely.


Ben – MGMT

“Time To Pretend” was the second song played, and immediately upon hearing it I was struck hard with a hit of memories and feelings from my last summer before college. It was amazing to finally get to hear all these songs from their debut album live again, as well as all the psych wonder nuggets from their tremendous follow-up albums, Congratulations, and MGMT.

They were joined by Faine Jade, who wrote the track “Introspection” and worked in a mammoth performance of “Of Moons, Birds & Monsters” which is an interestedly different animal live. It really took me off guard by how good that song is live. From there, it was a eclectic mix of all the best tracks from their career, such as “It’s Working”, “Weekend Wars”, and “Alien Days.” They played all 12-minutes plus of “Siberian Breaks” which was mind-blowing, as well as “Electric Feel” and “Kids”, both of which had fans rising from their seats screaming and dancing once the band started playing them.



MGMT are one of my favorite bands because they have stayed true to themselves all these years. They could have sold out and altered their sound to create 10 albums worth of songs like “Kids.” But they continued to push the boundaries of their listeners, making music that they believe in. This passion and care is carried over to their live show, which is a powerful force not to miss. It was a long wait to finally see MGMT again, but it was totally worth it.

They played most of their new record and some older tracks. Some members of Kuroma joined them onsatge for a few tunes. Sean Lennon was at the show too. (That happens at a lot of big Brooklyn shows.) It was all in all, a fine early Xmas present for a fairly wide-range of alt-rock fans.

Find the setlist below, along with a giant collection of photos from all three bands.


1. Flash Delirium
2. Time to Pretend
3. Introspection (With Faine Jade)
4. The Youth
5. Of Moons, Birds & Monsters
6. Mystery Disease
7. It’s Working
8. Weekend Wars
9. I Found a Whistle
10. Siberian Breaks
11. Electric Feel
12. Your Life Is a Lie
13. Kids
14. Cool Song No. 2
15. Alien Days

16. Congratulations

Andrew - MGMT

Andrew – MGMT


Ben – MGMT



Caveman is an American band based in Brooklyn, New York. The band recorded their first studio album in 2011. Although originally self-released, the album was re-released by Fat Possum Records in 2012.  Caveman performed at SXSW 2013  and Sasquatch Festival 2013.  The band’s musical style is a mixture of indie rock and indie pop.

The video for the song “In the City” features actress Julia Stiles



Promotional Image of Caveman the band.jpg
Background information
Origin Brooklyn, NY, United States
Genres [?]
Years active [?–present]
Labels Fat Possum Records
Associated acts [?]
Members Matthew Iwanusa
Jimmy Carbonetti
Stefan Marolachakis
Sam Hopkins
Jeff Berrall


Feb 13


Feb 17


Feb 18


Jun 01 RSVP
Jun 02


Jun 03 RSVP

Yellow Dogs Benefit Concert and Memorial

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Brooklyn, New York City

One week after two members of Iranian dance-punk band the Yellow Dogs were killed as part of a tragic November 11 murder-suicide, family, friends, and fans of the group gathered at Brooklyn Bowl on Monday night to pay their respects at a memorial concert. The lineup featured an impressive array of talent, including Nada Surf, Kyp Malone of TV on the Radio, Luke Temple of Here We Go Magic, James Chance of the Contortions, and Helado Negro.

Johnny Azari opened the event, which called for $15 donations, with all proceeds going toward the victims and family affected by the East Williamsburg shooting that claimed the lives of Yellow Dogs guitarist Soroush Farazmand and drummer Arash Farazmand, as well as fellow Iranian musician Ali Eskandarian and the gunman, Ali Akbar Mohammed Rafie.

“It’s moments like these that really make you realize how hollow words are,” Azari said to the solemn-faced crowd. “Our Iranian heritage is so rich with poetry — to be left speechless like this is really devastating.”

For much of the show, attendees behaved as if they were in a funeral home, not a bowling-alley-slash-bar-slash-music-venue. The audience maintained only a low level of chatter between performances, and usually settled for close whispers when acts took the stage for sets of varying lengths. Some mourners held flowers, others gripped glasses of red wine. Projection screens above the bowling lanes cycled through photographs and videos of the deceased — shots of them rehearsing, playing gigs, driving, and mugging for the camera were broken up by the occasional childhood photo.

A series of poster boards decorated with photo collages were carried over from a candlelit vigil held earlier in the day at Williamsburg’s Cameo Gallery and rested against the brick of Brooklyn Bowl’s western wall. Sharpie permanent markers occupied the same table, urging fans to write dedications.

For Soroush Farazmand: “I’ll miss playing music with you — you’ll continue to inspire me forever.” For Arash Farazmand: “You’ll wake up and forget this big lie. You are alive.” For Ali Eskandarian: “I still have your scarf.”

The size and the mood of the gathering shifted at an ebb and flow throughout the night, hitting a peak about three hours in, at 10 p.m. or so, when gutter-punks Dirty Fences delivered a surge of adrenalin to the proceedings. In the showcase’s latter half, roughly when Kyp Malone stepped to the microphone, the audience had already begun trickling out and the somber tone had started to seep back into the room.

“I feel very honored and strangely humbled to participate in this,” a noticeably upset Malone said onstage. “My heart goes out to the family and friends of the deceased. I think the only shadow effect that’s a positive that I can see right now is that it’s a reminder of the importance of community… It means something.”

By midnight, just as Nada Surf began their set, many of the people watching were hugging and consoling each other, trying to fathom the enormous loss they’ve suffered.

“I usually have too much to say,” Nada Surf frontman Matthew Caws told the crowd before leading a rendition of “Blonde on Blonde,” from 2002’s Let Go LP. “Right now I don’t have enough.”

R.I.P.  Soroush Farazmand and Arash Farazmand

Lou Reed, “Perfect Day”


Stunning song. Stunning life. We were lucky to have him.

Whenever a great musician dies, it’s customary for grieving fans to look back through the body of work left behind for something movingly elegiac in an effort to say a proper goodbye. But such a task was never going to be easy with Lou Reed, who passed away on October 27 at age 71, simply because Reed’s songs were always coming from way too many angles to snugly serve any single purpose.

The most obvious candidate, at least musically, would seem to be “Perfect Day”, the lush ballad that became one of Reed’s signature songs practically from the moment it appeared on his second solo album, 1972’s Transformer. Produced by David Bowie and Mick Ronson and featuring Ronson’s swirling string arrangement and piano flourishes, it really is a gorgeous track on the surface.

Yet there’s something gently unsettling about it. Maybe it’s the eerie stillness that permeates the song or the dirge-like pace. Maybe it’s the way that Reed sings the line, “It’s such fun” as if he were being lobotomized. In any case, there’s always the feeling that this idyllic day is just a tiny oasis in a dark desert.

Still, the narrator manages to snap out of his stupor to thank the one with whom he’s spending this “Perfect Day.” “You made me forget myself,” Reed sings, slivers of emotion creeping into his voice. “I thought I was someone else, someone good.” With cutting simplicity, it’s clear that this day isn’t just a good time for this guy. It’s his temporary redemption.

As for the haunting refrain that Reed intones in the closing moments of the song, Bono spoke about its subversive nature in his tribute to Lou in the most recent edition of Rolling Stone. “It’s been sung by all manner of earnest voices, including mine and children’s choirs, since it was written in 1972,” Bono wrote. “It never fails to give me some kind of extra ache as they sing the last line, ‘You’re going to reap just what you sow,’ oblivious of the icy chill suggested.”

If you doubt the dark side of this seemingly benign song, check out the chilling way it was used in the 1996 film Trainspotting, director Danny Boyle’s portrait of young heroin users. Yet you could easily imagine it in a romantic comedy as the soundtrack to a sappy montage of a young couple enjoying a picturesque afternoon.

That’s the kind of dichotomy that was commonplace in the music of Lou Reed, so, come to think of it, maybe “Perfect Day” isn’t a bad summation of the man and his work after all. It’s beautiful, brutal, and impossible to pin down.

“Perfect Day”

Just a perfect day
drink Sangria in the park
And then later
when it gets dark, we go home

Just a perfect day
feed animals in the zoo
Then later
a movie, too, and then home

Oh, it’s such a perfect day
I’m glad I spend it with you
Oh, such a perfect day
You just keep me hanging on
You just keep me hanging on

Just a perfect day
problems all left alone
Weekenders on our own
it’s such fun

Just a perfect day
you made me forget myself
I thought I was
someone else, someone good

Oh, it’s such a perfect day
I’m glad I spent it with you
Oh, such a perfect day
You just keep me hanging on
You just keep me hanging on

You’re going to reap just what you sow
You’re going to reap just what you sow
You’re going to reap just what you sow
You’re going to reap just what you sow

Lou Reed – Musician
Born: March 2, 1942, Brooklyn, NY
Died: October 27, 2013, Southampton, NY
Height: 5′ 10″ (1.78 m)
Spouse: Laurie Anderson (m. 2008–2013), Sylvia Morales (m. 1980–1994), Betty Reed (m. 1973)

Members of Brooklyn indie band The Yellow Dogs shot and killed by ex-bandmate

The Yellow Dogs

The Yellow Dogs

The Yellow Dogs, an acclaimed post-punk band from Iran, had been living in Brooklyn

Very tragic news reached us this morning.

Via Channel 4

A man who was kicked out of an indie band from Iran about a year ago went to the Brooklyn apartment building where his former bandmates lived early Monday and fatally shot three of them with an assault rifle before killing himself on the roof, law enforcement officials said.

A fourth member of the The Yellow Dogs, an acclaimed post-punk band from Tehran living in Brooklyn since about 2010, was shot twice in the arm but was taken to the hospital and is expected to live. Law enforcement officials said the surviving victim, who is 22, called 911 shortly after midnight and reported the shooting at the three-story apartment building on Maujer Street in East Williamsburg.

Responding officers found the three dead victims on the second and third floors of one apartment; a 35-year-old man and an unidentified man had been shot in the head, and a 27-year-old man had been shot in the chest.

Law enforcement officials said the gunman went from room to room, gunning down his victims; two were found in bedrooms and the third was killed in the living room.  The gunman was kicked out of the band after bandmates suspected he was selling their equipment behind their backs, law enforcement officials said.


The body of the gunman was found on the roof of the building. Law enforcement officials say he shot himself in the chin, and the .308-caliber assault rifle authorities believe he used to shoot his former bandmates was found next to his body.

The Yellow Dogs were featured in the documentary “No One Knows About Persian Cats,” which celebrated them as “fixtures in Tehran’s underground rock scene before Iran’s Ministry of Culture caught on to them,” according to the Huffington Post.

Shocked fans posted messages of horror and mourning on the group’s Facebook page after the shooting.

The victims’ families still live in Iran and police are working with officials from the U.S. Department of State to notify them, law enforcement officials said.

Watch their video for “this city”:

Published on Jun 6, 2012

Neverheard Inc presents, “this city” by The Yellow Dogs
Directed by Bill Stepanoski
Produced by Kerry Taylor
Carousel Productions – NY
DOP: Filipp Penson
Edited by Bill Stepanoski
Art Directon by Zoe Bailey + Rosie Turnball

About East Williamsburg, Brooklyn:

East Williamsburg in Brooklyn is known for being home to many underground bands.

I was in this neighborhood twice. If your band has arena sized dreams, then Shea Stadium may be a good place to start. The crowd will love and cheer for you as if you were winning the World Series. As for the team uniform, Shea Stadium was a plethora of plaid, unbrushed hair, and skinny jeans on a Saturday night.

This Shea Stadium isn’t in Queens and it’s definitely not in Manhattan. The vibe was free flowing complete with a beach ball in the air. Shea Stadium has the feel of a high school gymnasium and a suburban garage. The decor is makeshift with decade old couches and cartoon canvases. The stage even dons a wooden tidal wave border. It’s elementary and raw.

The bands I saw that night were a bit all over the place. One act played with their backs against the crowd. Another jumped so hard it looked like the stage was going to collapse. The music verged on alternative with a mix of rock influenced by the sounds of the 60’s. My favorite band of the night did not play on the stage but in the middle of the crowd and busted country. They played acoustic and it was refreshing to be able to understand them clearly. At times the bands at Shea Stadium sounded like a garbled mess. The instruments were louder than the mics, making it difficult to hear the artists sing. Shea Stadium is an experiential music venue, recording house, and open forum. It is part of the young Brooklyn scene and what goes on there is fluid.

Shea Stadium is in the middle of nowhere so keep the address handy because unless you are familiar with industrial warehouses and concealed music venues, you may have trouble finding the place. Cover is the price of a beer. Shea Stadium gets warm inside. For some cool air and a smoker’s break, one can sneak away to the balcony which stares right at the Empire State Building. There are surprising little gems like these in Brooklyn. Luckily, Shea Stadium is so underground that there are no velvet ropes or lines out the door. All you need to know is the address.

MGMT – Live on David Letterman (Full Performance) + MGMT Legal Dispute with Sarkozy over a song

MGMT is an American psychedelic rock band founded by Benjamin Goldwasser and Andrew VanWyngarden. After the release of their first album, the members of their live band, Matthew Asti, James Richardson and Will Berman, joined the core band in the studio. Formed at Wesleyan University and originally with Cantora Records, they signed with Columbia Records and Red Ink in 2006.

On October 5, 2007, named MGMT “Artist of the Day.” On November 14, 2007, Rolling Stone pegged MGMT as a top ten “Artist to Watch” in 2008. The band was named ninth in the BBC’s Sound of 2008 Top Ten Poll. They were also named as’s most played new artist of 2008 in their Best of 2008 lists.

MGMT’s first album, Oracular Spectacular, debuted at No. 12 on the UK album chart, No. 13 after 34 weeks in the New Zealand RIANZ charts, number six on the Australian ARIA Charts, and hit number one on the Billboard Top Heatseekers chart. It has also been named the 18th best album of the decade by Rolling Stone magazine. It was named the best album of 2008 by NME. MGMT also appeared prominently in Australia’s Triple J Hottest 100 2008, coming in 2nd with “Electric Feel”, 5th with “Kids” and 18th with “Time to Pretend”. MGMT was nominated for the 2010 Grammy Award for Best New Artist, and their track “Kids” was nominated for Best Pop Performance By a Duo or Group with Vocals. These are the first Grammy nominations for the band. At the 2009 Grammy Awards, the Justice remix of “Electric Feel” won the Grammy Award for Best Remixed Recording, Non-Classical. Their second album, Congratulations, was released on April 13, 2010. In January 2011 they began work on their third album, MGMT. It was released in September 17, 2013, and was released as an early exclusive on the Rdio music service on September 9, 2013.

MGMT at La Route du Rock 2008, 23 February 2008, 23:59.  Photo by Bertrand from Paris, France.

MGMT at La Route du Rock 2008, 23 February 2008, 23:59. Photo by Bertrand from Paris, France.

Ben Goldwasser and Andrew VanWyngarden formed the band while attending Wesleyan University during their freshman year. “We weren’t trying to start a band,” remarked Goldwasser. “We were just hanging out and showing each other music that we liked.” They experimented with noise rock and electronica before settling on what Paco Alvarez of Spin calls “their current brand of shape-shifting psychedelic pop.” They graduated in 2005 and toured extensively in support of the Time to Pretend EP, opening for indie pop band Of Montreal.

The band first started with the name The Management, releasing various demo albums including Climbing to New Lows, but since this name was already being used by another band, they later changed it to MGMT. This abbreviation stands for Management.

In the autumn of 2006, Maureen Kenny signed the band to Columbia Records. When they got a phone call from the A&R department of Columbia Records saying they were interested in their music, they thought it was a joke. The duo recorded with Flaming Lips/Sleater-Kinney music producer Dave Fridmann in 2007 for their major label debut, Oracular Spectacular. MGMT opened for Of Montreal on tour in autumn 2007 as a five-piece touring band including Matthew Asti (bass), James Richardson (drums), and Hank Sullivant (guitar). In November 2007, they performed for the first time in Europe, supporting the band Samantha and The Courteeners at Koko in London, England. After March 2008, Hank Sullivant left the band to pursue his own band, Kuroma. Will Berman joined as the new drummer, James Richardson switched from drums to guitar, and Matthew Asti remained on bass.

In January 2009, MGMT demanded compensation from the Union for a Popular Movement (UMP) Party. The UMP, headed by Nicolas Sarkozy (the former President of France), used the song “Kids” without permission at a party conference and in two online videos in 2008.

In an official statement, MGMT remarked that “the fact that the UMP used our song without permission while simultaneously pushing anti-piracy legislation seemed a little wack.”

The UMP initially offered a symbolic compensation of €1 to MGMT (about $1.34), but the band refused that offer. Finally, in April 2009, the parties settled out of court, and the UMP agreed to pay MGMT around €2,500 for legal fees and €30,000 for copyright infringement. MGMT donated this money to an artists’ rights organization.

The band supported Radiohead on the Manchester date of their world tour and went on a headline tour of the UK during November 2008, playing at venues such as Manchester Academy and Shepherd’s Bush Empire.

MGMT opened for M.I.A. on the Vassar College date of her 2008 tour, and also played several shows with Beck while he toured in 2008. They appeared at the 2008 and 2009 editions of the Bonnaroo Music Festival. Bruce Springsteen was in attendance during their 2009 Bonnaroo late-night set, which followed his headlining appearance on What Stage. They also toured Australia with a headlining spot on the Meredith Music Festival line-up.

They also played a show at the Virgin Music Festival on the Toronto Islands on September 6, 2008, playing nine songs off their Oracular Spectacular album. They also played the 2008 Street Scene festival in San Diego, California. On February 27, 2009, MGMT performed alongside Spectrum at The Dome in Finsbury Park. MGMT also played another show in Australia at the 2009 Splendour in the Grass Festival. MGMT headlined this music festival along with other well known bands such as Bloc Party, The Flaming Lips, Happy Mondays, and Jane’s Addiction.

MGMT opened for Paul McCartney, an admitted fan, at Fenway Park in Boston, Massachusetts, on August 5 and 6, 2009.

On August 15, 2009, MGMT played in Hamburg, Germany, at the Dockville Festival and performed several songs from their upcoming album.

MGMT was one of the headlining bands for the Treasure Island Music Festival on Treasure Island in San Francisco, California, on October 17, 2009.

MGMT’s Congratulations album was released on April 13, 2010. The band, including Matthew Asti, James Richardson, and Will Berman from the live band, spent the summer of 2009 in Malibu, California, recording the album with Pete Kember (a.k.a. Sonic Boom) — formerly of Spacemen 3 and Spectrum – serving as producer/guru, and long-time friend, Billy Bennett (also an NCAA record holding kicker for the University of Georgia), as engineer.

MGMT originally suggested that they might not release any singles from the album. By July 2010, however, four single releases from the album had been confirmed. The album cover art for Congratulations was created for MGMT by Anthony Ausgang and the overall design of the packaging is by Josh Cheuse of Sony Entertainment. On March 9, 2010, MGMT released the song “Flash Delirium” for free download on their official website. On March 20, the band allowed users to stream their new album from their website.

MGMT started their Congratulations Tour on April 12, 2010, in San Francisco, California, at The Fillmore. They performed on April 23 at Brown University’s Spring Weekend; on April 27 at Yale University’s Spring Fling; on April 30 at the University of New Hampshire’s Spring Climax; and on May 1 at Fordham University’s Spring Weekend.

They performed on Saturday Night Live on April 24, 2010, and on the Late Show with David Letterman on May 12 to promote their new album, and on June 11, MGMT played their largest headlining show anywhere in the world with a sold-out, 9,500 capacity gig at the Red Rocks Amphitheatre in Morrison, Colorado. On June 25, MGMT performed on Late Night with Jimmy Fallon, and on July 23, they were the musical guests on The Late Late Show with Craig Ferguson.

On August 25, MGMT released a music video for “Congratulations”, the third video of their second album. MGMT was one of the third tier bands for the 2010 Coachella Festival in Indio, California. The event draws nearly 120,000 attendees annually. On October 31, 2010, the band performed for the Voodoo Experience in New Orleans, Louisiana. The band decided to dress as the main characters from Scooby-Doo for Halloween; Andrew dressed up as Daphne and Ben dressed up as Velma. They headlined at Fun Fun Fun Fest which was held at Waterloo Park in Austin, Texas on November 6, 2010. The performance was the last show in the US for MGMT in 2010. Their first 2011 gig was at Mar del Plata, Argentina, in front of a crowd of more than 40,000 on the beach in a free event which they headlined.

MGMT began their first Asian tour on February 22, 2011.

On September 22, 2011 MGMT performed the Pink Floyd song “Lucifer Sam” during Late Night with Jimmy Fallon’s “Pink Floyd Week”.

On March 30, 2012, the band premiered a new song, entitled “Alien Days” [for their self-titled album), at a show in Bogotá, Colombia. The band performed on August 3, 2012 in Montreal, Quebec at Osheaga, and on August 5, 2012 in Bethlehem, Pennsylvania, US at Musikfest.

On April 20, 2013, the band released the studio version of “Alien Days”. The band then embarked on a spring tour, followed by fall/autumn and winter tour dates for North America. Following VanWyngarden’s shoulder surgery in mid-2013, former touring member Hank Sullivant rejoined the band to play live guitar for the remainder of 2013. Sullivant played with VanWyngarden when they were in high school and is in the band Kuroma, whose next album is produced by Goldwasser.

In an interview that was published on September 11, 2013, VanWyngarden provided some insight into the songwriting process for the third album:

“With pretty much every song on this new album, we were like, ‘This time we’re gonna write a pop song.’ But at this point in our careers, we can’t write a pop song. If we tried, we’d either get bummed out, or we’d change it enough until it was something that we actually liked.”

The self-titled album was released September 17, 2013. An exclusive early release of the album, along with a full-length music video called Optimizer, was available from the Rdio music service on September 9, 2013.

The Optimizer (Trailer)

They have collaborated with the rapper Kid Cudi, and are featured on one track – “Pursuit of Happiness” from his album Man on the Moon: The End of Day. For the 2010 MTV VMA’s Kid Cudi was nominated for Best Hip-Hop video for “Pursuit of Happiness” a track which features MGMT and Ratatat. They also collaborated on the track “Worm Mountain” on The Flaming Lips’ Embryonic.

On September 4, 2009, Beck announced his second Record Club covers album, Songs of Leonard Cohen. MGMT contributed, alongside Devendra Banhart, Andrew Stockdale of Wolfmother and Binki Shapiro of Little Joy. Andrew VanWyngarden chose the album.

The band:
Lead singer: Andrew VanWyngarden (2002–)
Members: Andrew VanWyngarden, Benjamin Goldwasser, Matt Asti, Will Berman, Hank Sullivant, James Richardson
Record labels: Sony Records, RED Distribution, Columbia, Sony Music Entertainment, Cantora Records
Origin: Brooklyn, NY, Middletown, CT

Oracular Spectacular (2007)
Congratulations (2010)
MGMT (2013)

MGMT awards and nominations
Award Wins Nominations
Grammy Awards
1 3
MTV Video Music Awards
0 3
MuchMusic Video Awards
0 1
NME Awards
4 5
Teen Choice Awards
0 1
Fuse TV
0 1
URB Awards
0 1
Awards won 5
Nominations 15

Sources: Wikipedia, MGMT website, David Letterman Show