This story was published 18 days ago February 08, 2014 9:36PM by news.com.au
MICHAEL Hutchence battled many demons but, for the first time, he felt close to winning the war.
“I have dealt with many demons in my life, but nothing compares to what I’ve had to face over the past few years,” Hutchence told me over the phone, in what would be his last interview.
“It would be so easy for me to say that I hate what I’ve become, but then, what I’ve become, certainly in the public eye, I’ve had no control over.
“I don’t like that.
“It concerns me a great deal that every move that I make is looked at, photographed, and made into gossip, some f—ing sound bite that doesn’t resemble the truth.”
Hutchence had called to promote a homecoming tour with INXS. It was November 18, 1997, and he was about to board a flight from Los Angeles to Sydney.
Four days later, he took his own life in a Sydney hotel room. Upbeat about coming home, the open and obliging frontman broadened our interview to include his lover British broadcaster Paula Yates, pride at their daughter Heavenly Hirani Tiger Lily, and his seething contempt of Yates’ former husband, Sir Bob Geldof.
Geldof and Yates, who had three children together, split in 1995, a year after her affair with the Australian rocker was uncovered.
That rift sparked a vicious slanging match and bitter custody battle. In our interview, he was increasingly angry and hurt at the picture the British press painted of him, especially after his fling and subsequent relationship with Yates.
“I’d say it was much worse for Paula – but I’m a realist, I just do my best to confront these things and hope I come out of it stronger and wiser and a better person,” he told me.
“The truth has hardly ever survived in our case. I get to see some of what is written, hear what is said. I try not to because some of it, no, most of it, is hurtful and it does me no good to think that it is out there. I hate the fact that people’s perception of you is just fodder. Every move you make is just used to sell newspapers.
“I don’t want to be exposed like that all the time. I don’t want to be known as someone that’s just a shallow sound bite. I have worked too long and too hard for that.
“I have always just carried on my life the way I see fit. If that ruffles feathers, and it becomes tabloid fodder, then so be it. I’m not going to lock myself away or change my lifestyle to suit somebody else’s set of rules. I think that’s immoral.
“People should just remember: I am a musician. I am a singer. That’s it.”
He continued: “I’m not complaining about the life I’ve got. I’m a dad, I sing, I travel, I get into most of the clubs for free. I have freedom and freedom gives you a certain amount of power.”
Then eerily: “I can lose all of this whenever I want to.”
Earlier that month, Hutchence had met with major studio and indie filmmakers in New York and Los Angeles to resurrect his acting career.
In that time, Hutchence did a cameo role in Limp, a low-budget movie shot in Seattle. He auditioned for the part, got it, and played a jaded record company executive. “It was directed by this hot-shot kid, this 26-year-old guy, and his energy, just seeing how this guy works with ideas, it has inspired me to work in films again,” he told me.
Hutchence was excited by the rise of quality, independent Australian film, and had set up meetings with local filmmakers during the INXS tour.
“I am the biggest fan of anything Australian, especially when I’m away from home,” he told me.
“I just rant and rave because I know what it takes to get it out there on the world stage.
Hutchence was in love, but said he had not discussed marriage with Yates.
“Every year, some columnist tells us we are going to get married somewhere. Last year it was in Queensland, the year before, it was in Italy,” he told me.
“Marriage is a very personal thing and to deny it, well, you don’t want to deny it because it sounds like you don’t want to do it.”
Did Hutchence want to do it?
“To be honest, yes,” he replied.
“I think there is a part of me that truly wants that. But in reality, we haven’t even discussed it. Some gossip columnist just thinks it’s pretty funny to tell us when we should.”
After Hutchence’s death, an understandably distraught Yates struggled to cope.
In September 2000, she was found dead in her London home from a heroin overdose. Geldof took foster custody of Tiger Lily, so she could be raised with her older half-sisters. He formally adopted Tiger Lily in 2007.
Hutchence, caught in the vitriol between Geldof and Yates, once described Sir Bob as “an evil man” and said the public had been fooled into siding with “Saint Bob”.
He told me: “It is an easy contrast. A convenient one. Saint Bob and (a) wild boy rock star. You pick the one who people are going to believe?
“One day, the truth will be told,” Hutchence sighed. Did he want to give his side of “the truth” for our interview?
“No,” he answered flatly.
“The ones who lie should be made to tell the truth.”
According to the coroner’s report, Hutchence called Geldof twice in the early hours of November 22, 1997, begging Sir Bob to let Yates bring her children to Australia. Geldof told authorities Hutchence’s tone was “abusive, hectoring and threatening”.
A desperate and distraught Hutchence placed further calls, and left voicemail messages with his former girlfriend, Michelle Bennett, and manager, Martha Troup.
Bennett rushed to the hotel, but was unable to rouse Hutchence by knocking loudly on his door, and calling repeatedly.
At 11.50am, a hotel maid found him, dead, and naked behind the door to his room. He had apparently hanged himself with his own belt.
Earlier that week, Hutchence was optimistic about being able to telling the truth his way.
“Are you comfortable in your skin?” he asked in Building Bridges.
“Some days I am everything that I hate. There’s nothing if the truth won’t survive.”
In essence, Hutchence’s songs let him have the last word.
“That I can create, that I can write, that I can express,” Hutchence told me, “that is the light at the end of the tunnel. That is how you win the battle.”
I’m struck by how good a rock singer Michael Hutchence was. He could either belt it out or croon effortlessly where other singers would strain, and the timbre of his voice was perfectly suited to the songs. He was also one of the best rock performers. Here are some videos.
Gone but not forgotten
Michael Kelland John Hutchence (22 January 1960 – 22 November 1997) was an Australian musician and actor. He was a founding member and the lead singer and lyricist of rock band INXS from 1977 until his death in 1997.
Hutchence was a member of short-lived pop rock group Max Q and recorded solo material which was released posthumously. He acted in feature films, including Dogs in Space (1986), Frankenstein Unbound (1990) and Limp (1997). According to rock music historian, Ian McFarlane, “Hutchence was the archetypal rock showman. He exuded an overtly sexual, macho cool with his flowing locks, and lithe and exuberant stage movements”. Hutchence won the ‘Best International Artist’ at the 1991 BRIT Awards with INXS winning the related group award.
His private life was often reported in the Australian and international press, with a string of love affairs with prominent actresses, models and singers. Hutchence’s relationship with UK television presenter Paula Yates began while she was divorcing musician and Live Aid organiser, Bob Geldof. Hutchence and Yates had a daughter in 1996.
On the morning of 22 November 1997, Hutchence was found dead in his hotel room in Sydney. His death was reported by the New South Wales Coroner to be the result of suicide. In 2000, Yates died of a heroin overdose. The couple’s daughter was placed in Geldof’s custody with her half-sisters.
Of all the possible causes of Hutchence’s final depression, the one that the coroner highlighted was his relationship with Paula Yates and the pressures of the dispute with Geldof. The coroner concluded that the depression was also caused by a cocktail of drugs found in Hutchence’s blood: alcohol, cocaine, Prozac and what Hand described only as “other prescription drugs”. What were these? And how harmful were they when combined with a drug like Prozac? The coroner’s report raised more questions than it answered.
Hutchence’s affairs in death are as tangled as they were in life. In the last few weeks, it has emerged that his estate, worth about pounds 8 million, has been hidden in a complex web of discretionary trusts and holding companies stretching through Hong Kong, Australia, the British Virgin Islands and Europe. His will gave half his estate to Tiger Lily with the other half divided equally between Paula Yates, his father, brother, sister and his mother, even though he remained estranged from her. But, when he died, Hutchence was technically bankrupt.
The web of companies controlling Hutchence’s assets was reputedly designed to minimise the tax liabilities on his income. Many of the companies have as a director Colin Diamond, Hutchence’s New Zealand-based financial adviser and a co-executor of his will. But the impact of the financial arrangements that Hutchence left in Diamond’s hands means that the beneficiaries may face a long battle in securing assets that they believe are rightfully theirs. Hutchence owned houses in Smith Terrace, London SW3, and Antibes in the south of France. These and other properties in Australia are not listed as part of his estate. The London house, for example, is owned by a company in the British Virgin Islands.
After his cremation, Hutchence’s ashes were divided between his family and Paula and Tiger Lily. Sacrilege to some, but an unavoidable outcome, it seemed, of his stormy, unreconciled life.
A few weeks later, the surviving members of INXS, together with Michele Bennett and a handful of Hutchence’s old friends, joined his father and brother on a yacht in Sydney Harbour. It was 21 January 1998, the day Michael would have turned 38. They swapped stories about him; then, as a Maori singer sang “Amazing Grace”, Kell and Rhett Hutchence moved to the bow of the boat. They held each other as they tipped their son and brother’s ashes overboard. As the boat moved slowly away, the evening sky turned bright red and the waters of Sydney Harbour went perfectly still.
The following article was published in 1998 in THE EXPRESS, UK. We don’t copy articles of Tabloids, but I think this one expresses what many of Michael’s fans were feeling.
Pathetic Paula makes mockery of love and loss
She broke our hearts as the woman mourning a soul mate. No she insults those who truly grieve, says Amanda Platell
Out of step: Paula Yates claimed INXS lead singer Michael Hutchence was the only man for her. Yet 10 months after his death she is romancing heroin addict Kingsley O’Keke while her daughter Tiger Lily is being cared for by friends in Australia.
When pictures of Paula Yates first appeared late last year at the funeral of her lover Michael Hutchence, I was able for the first time to see beyond the cleavage, in fact to see only the pain etched on her face. The dark glasses could not hide the anguish. She clutched their child Tiger Lily, who she describes as “a little, tiny Michael”, as if that small baby was all that stood between her and the abyss.
For the first time, my heart went out to her, simply because she was a young woman and mother who had lost the one great love of her life. We were all able to forget the publicity-seeking, self-centred rock chick who seemed incapable of existing out of the spotlight. We gave her the benefit of the doubt.
And it is for that very reason that the images this week of a pale and almost girlish Paula walking arm in arm with her new partner were so shocking. Not at all shocking that she was with a man 10 years her junior, nor shocking that he bore an uncanny resemblance to her dead lover, but that she was with another man at all.
Paula said after Michael’s death that she would never have another love, never have another partner. “I waited a long, long time to be with Michael and now I’ll wait a long time to be with him again.” And part of us believed her, or at least wanted to believe her. Her grief was almost tangible
As for thousands of people throughout the country, Paula’s very public grieving after the death of Michael Hutchence touched a nerve. For anyone who has lost someone they love, the sight of a funeral procession is an eternally painful one. We empathise, we suffer again our own loss.
The grieving Paula reminded me of another Michael, also Australian, who died too young and of the young woman left heartbroken. And the sight of Tiger Lily brought back images, still too vivid to be recalled without tears, of tow small children holding their mother’s hand, one on each side, as they walked down the aisle of the church towards their Daddy’s coffin. The same church would mark the end of their married life as it had marked its beginning.
I had been a bridesmaid at that wedding, for Michael was my brother.
Last February, four months after Michael Hutchence’s death, Paula said the only thing that gave her the will to live was their child. Without Tiger Lily, she would have killed herself. Several months later, she tried to do just that.
Last year, I was talking to the other woman who lost her Michael and she, too, said her life was empty without him. There was nothing for Hellene but her children. No one could, or would, ever replace him.
“Everyone tells you it gets easier with time,” she said a year after his death, “but I can tell you it just gets worse. Every five minutes is worse than the last. It will never get better for me. All I have is our children. Without them, I would kill myself.” And she meant it.
She returned to work, because she had to. The children miss their father desperately, but are safe in the knowledge that their mother is there for them, all the time. They make a tragic sight at family gatherings, the only ones without a dad.
But one thing is clear to all who love and watch over them. When Hellene gathers them in her arms after they have won a poetry prize or come last in a running race and tells them Dad would be proud, there could be no simpler truth.
We all hope that she will find another partner, that the children will know the love of a stepfather, but in our hearts we doubt it. And somehow the love of this woman seems to suffice.
Last week, I thought of both women again. My mother phoned to say Hellene had finally marked her husband’s grave with its tombstone. It is two-and-a-half years since Michael died. It has taken so long to complete this last act because, as she says, if finally and unbearably marks the end. It reads: “From heartbroken Hellene and your two children. Your love is scattered over our lives.”
Just 10 months after her Michael’s death, Paula was pictured with her new lover Kingsley O’Keke, a 28-year-old heroin addict and convicted thief she met in a rehabilitation clinic. Tiger Lily is being “cared for” by friends in Australia while Paula recovers from her most recent bout of alcohol and drug abuse.
Another cry for help, friends said sympathetically. But who is there to answer Tiger Lily’s cries?
Observers at the clinic, which they both left before completing rehabilitation, said they were caught having sex “like rabbits” in the grounds, and in their rooms.
At a time when her daughter desperately needs her mother’s love (and let’s not forget Paula’s other three children now being cared for by their father Bob Geldof), Paula is wandering the streets parading her surgically-enhanced breasts, snogging her boyfriend and looking for a place for them to set up home.
In the course of a week, all sympathy for Paula Yates has disappeared. She makes a mockery of love and of loss. Her actions devalue the notion of true love. Perhaps her love for Michael was self-delusion after all. Or is the love for her new man a self-indulgence? Only one thing can be certain about Paula’s life. It is all about self.
It has been indescribably hard for Hellene (and for the thousands of other women who lose the man they love), but the only rabbits in her children’s lives are the ones in story books and on the bedroom walls. Her children are paramount. I wish we could say the same of Paula.
The only real rehabilitation, Paula, is the hard option of facing the facts of life and death and remembering that, whatever your own pain and your own need for happiness, there is still a little girl who is depending on you, her mother.
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The Day INXS Annnounced Their Last Performance
14 November 2012
According to reports from the group’s native Australia, the band responsible for hits such as New Sensation, Mystify and Never Tear Us Apart are apparently no more.
The announcement was made on Sunday night at a gig in Perth Arena which saw INXS and its lead singer Ciaran Gribbin, who was chosen to replace Michael Hutchence, playing in support of American rockers Matchbox Twenty.
INXS drummer Jon Farriss took over the microphone from the Castledawson man to announce to thousands of shocked fans the gig would be the band’s last performance.
Farriss added “I’m getting teary”, before the band performed Need You Tonight.
There had been no formal statement from INXS but one was understood to be issued on Tuesday.
The band, which have sold more than 30 million records, have had three lead singers since Michael Hutchence’s death in a Sydney hotel room in 1997.
Gribbin, a 36-year-old from south Derry, took over the role from Canadian JD Fortune just over a year ago and had said in a recent interview INXS had big plans for the future.
A message the singer wrote on Facebook on Monday said: “Dear friends, I know a lot of you are concerned and want clarification on what happened at the INXS gig last night in Perth.
“As I write this most of INXS are on a plane flying from Perth to Sydney.
“Please try and be patient as the band plan to release a full statement on the subject ASAP.
“I’m sorry I can’t say anymore at this time and hope this helps ease a few worries and concerns. Thank you all for all the love and kind wishes. Ciaran.”
The news appears to have come as something of a surprise to Gribbin who spoke of the band’s future plans in a recent interview.
“They’re still creative, they’re still hungry to prove they have something to say, he said.”
“They’re also still hungry to perform those songs, the songs that were a part of so many people’s lives growing up.”
Unruly Hearts Playlist: INXS
Published on Dec 3, 2012
The band performed to a sold out London’s old Wembley Stadium in front of over 72,000 fans, on 13 July 1991, during their “Summer XS” tour. This gig was one of their most spectacular, with an ageless setlist, their performance was simply astounding and “Live Baby Live” was labeled as one of the worldwide top live performance…this gig will stand the test of time!
Wembley with INXS was on fire, INXS were magnificent and Hutch was BRILLIANT, simply their God!
There are not enough words to thank INXS for 35 years of amazing music. Thank you Andrew, Kirk, Tim, Jon, and Garry. And to you Michael, you were one of the best performers of all time, and an incredible human being. We miss you very much. R.I.P. sweet Michael – 1/22/60 – 11/22/97 ♥
Fifteen Years Without Michael Hutchence, INXS’ Singer
The Loved One – INXS’ Michael Hutchence
What Happened To Michael Hutchence’s Fortune? Hutchence millions kiss dirt, leaving family with zilch
Gone But Never Forgotten
Charismatic, enigmatic, Michael Hutchence was the personification of the classic rock and roll star and, seemingly, had it all. His death in 1997 robbed the world of a unique and fragile talent. ‘The Loved One’ traces Hutchence and INXS’ rise from obscure Sydney bar rooms and clubs to stadiums all over the world. Featuring interviews with many of Hutchence’s close friends and contemporaries, the film sensitively investigates the pressures and demons that spurred his success and ultimately led to his spiral into depression and eventual death. Featuring stunning footage of Michael performing on the stages of the world, ‘The Loved One’ is a poignant and ultimately uplifting tribute to both the singer and the band.
Michael Hutchence – The Loved One / Documentary [5 videos]
Fans Tributes – Gone But Never Forgotten, I
1960 – 1997
Uploaded on Nov 22, 2011
Gone But Never Forgotten, II
1960 – 1997
Everything (we did for each other)