Listen to “Liberty Street”, unreleased Bob Dylan song performed by Dawes’ Taylor Goldsmith

Pictured: Elvis Costello, Jim James,T Bone Burnett, Jay Bellerose, Rhiannon Giddens, Marcus Mumford, Taylor Goldsmith. Photo Credit: Sam Jones/Showtime © 2014 Showtime Networks Inc

Pictured: Elvis Costello, Jim James,T Bone Burnett, Jay Bellerose, Rhiannon Giddens, Marcus Mumford, Taylor Goldsmith.
Photo Credit: Sam Jones/Showtime
© 2014 Showtime Networks Inc

 

As previously reported, an all-star contingency of folk rockers recently convened to create music for two dozen newly discovered lyrics written by Bob Dylan. Entitled Lost On The River: The New Basement Tapes, the 15-track collection is the culmination of two-plus weeks of studio time by My Morning Jacket’s Jim James, Mumford and Sons’ Marcus Mumford, Elvis Costello, Dawes’ Taylor Goldsmith, Carolina Chocolate Drops’ Rhiannon Giddens, and super producer T-Bone Burnett. The lyrics in question date back to 1967, taken from the same period that spurred the recording of Dylan’s iconic Basement Tapes.

In anticipation of the album’s release, the collective has already shared several album tracks: the Jim James-fronted “Nothing To It”, the Elvis Costello-led “Married To My Hack”, the Marcus Mumford-helmed “When I get My Hands On You”, and “Spanish Mary”. Today, Goldsmiths takes over as frontman on “Liberty Street”.

Despite the sheer star power of the project, this song is perhaps the most quaint and minimalist of the entire project, with Goldsmith crooning over some gentle piano and the faint whispers of a back-up chorus. Still, that light touch perfectly fits the song’s overall scope, with undertones of religious exploration and a message of personal growth/freedom. Watch its accompanying lyric video below, a slightly abstract animated piece.

 

The New Basement Tapes – Liberty Street (Lyric Video

 

 

Lost On The River: The New Basement Tapes will arrive November 11th via Electromagnetic Recordings / Harvest Records. The album is being accompanied by a Showtime documentary set to debut on November 21st.  According to a press release, director Sam Jones’ Lost Songs: The Basement Tapes Continued presents an “exclusive and intimate look at the making of Lost On The River: The New Basement Tapes set against the important and historical cultural backdrop of Bob Dylan’s original Basement Tapes.”

Meanwhile, Dylan himself will release the entire collection of The Basement Tapes on November 4th. The Basement Tapes Complete: The Bootleg Series Vol. 11 spans a whopping 138 songs, including 30 never known to have existed. Stream it in full here.

Lost On The River: The New Basement Tapes Tracklist:
01. Down On The Bottom
02. Married To My Hack
03. Kansas City
04. Spanish Mary
05. Liberty Street
06. Nothing To It
07. Golden Tom – Silver Judas *
08. When I Get My Hands On You
09. Duncan and Jimmy
10. Florida Key
11. Hidee Hidee Ho #11
12. Lost On The River #12
13. Stranger
14. Card Shark
15. Quick Like A Flash *
16. Hidee Hidee Ho #16 *
17. Diamond Ring *
18. The Whistle Is Blowing *
19. Six Months In Kansas City (Liberty Street)
20. Lost On The River #20

* = Deluxe edition only

Watch Jim James’ new video for “State of the Art (A.E.I.O.U.)”

JimJames_State

Former cover story and classroom instructor, Jim James (My Morning Jacket), is back today with the new video for “State of the Art (A.E.I.O.U.)”, the opening track on his solo debut, Regions of Light and Sound of God. Created by Bay Area production company Clean White Lines — whose entry beat out many in a contest held by James — the gloomy visuals follow a character with a TV for a head, as he wanders through a city and interacts with its people. Much like the song itself, it’s a critique on man’s ever-evolving and complicated relationship with technology. Watch it below (via Billboard).

Published on Oct 22, 2013
The official music video for Jim James “State Of The Art (A.E.I.O.U.)” from the album Regions Of Light And Sound Of God.

Buy on iTunes: http://smarturl.it/itunesJJ
Buy on Amazon: http://smarturl.it/amazonJJ

Directed by: Clean White Lines
Editor: Staci DeGagne
Director of Photography: Alexander Fletcher
Starring/Producer: Joe Barham
Featuring: Addison Brewer-Hay, TiNka Kalajžić Ines,Dave Malloure, Frances Reyes-Bolinger

Daylight come
Daylight go
How far will it reach
Ain’t nobody know
When the dawn breaks
The cradle will fall
And down come baby
Cradle and all
Now I know you need the dark
Just as much as the sun
But you signin’ on forever
When you ink it in blood

A.E.I.O.U.
E.I.O.U.
A.E.I.O.U.

I used the state of the art
Technology
Supposed to make for better living
Are we better human beings?
We’ve got out wires all crossed
Our tubes are all tied
And I’m straining to remember
Just what it means to be alive
A life worth living
Now you can feel it in your chest
Buildin’ like little birds
Just building up the nest
And you build it up strong
And you fill it up with love
And you pray for good rain
All from the lord above

A.E.I.O.U.
E.I.O.U.
A.E.I.

I sued my state of the art
Tech-nology
Now don’t you forget it
It ain’t using me
Cause when the power’s goes out
I got over me
Cause the power’s goin’ out
I think the power’s goin’ out
I mean it, the power’s goin’ out
I really mean it the powers goin’ out

Category

Music
License

Standard YouTube License

Jim James of The Morning Jacket at The Fonda Theatre in L.A.: Concert Review

jimJames_MMJ_may112013

Spiritual ruminations meet perfected jam sessions during the My Morning Jacket frontman’s two-hour set, May 11.

Jim James @ The Fonda Theater – Concert Review

The My Morning Jacket frontman goes track-by-track through his solo effort before switching gears to an encore that included a caped cameo by Bright Eyes’ Conor Oberst.

Jim James‘ hair is gloriously alive. During solos where the My Morning Jacket frontman hunches over his guitar, the enormous mane overshadows everything else, giving the impression that strands of hair are furiously strumming the instrument.

The opening of James’ set Saturday at the Fonda Theatre in Los Angeles, however, began in a more composed manner. The multi-instrumentalist and singer, attired in a suit and tie, led the evening with songs exclusively from his ambitiously titled solo album, Regions of Light and Sound of God, released Feb. 5.

Beginning with “State of the Art (A.E.I.O.U),” the bass-grooving album opener, James went track-by-track through Regions. The dense solo album’s spiritual inclinations were previously stated by the singer to be inspired by the “hazy dream” of a robot and 1929 graphic novel God’s Man. And the reflective interludes, chants and saxaphone solos  initially were a stark contrast to the Southern alt-rock sensibilities of My Morning Jacket.

“I use my state-of-the-art technology/Now don’t you forget it: It ain’t using me,” he crooned.

“Know Til Now,” the first single released from the album, featured a sound akin to material that producer Brian Burton (Danger Mouse) could’ve conjured for James Mercer‘s Broken Bells project or Beck‘s Modern Guilt. “Dear One,” a standout track on Regions, was punctuated by two precisely executed drum solos that drew cheers from the standing crowd at the packed venue.

Like the album, the songs transitioned seamlessly into one another, and James didn’t see the need to break up mood by adding any topical comments. His first words were a cryptic introduction to the fourth song, the sparse “A New Life.”

At times, the expanded live versions of the Region tracks took stabs at grand gestures. The bleak solos of Pink Floyd’s “Shine on You Crazy Diamond” and the manic tone of Radiohead’s “The National Anthem” appeared to be influencers.

Jim James @ The Fonda Theater

Jim James @ The Fonda Theater

Throughout the set, James ambled about the stage in a playful mood. He snatched what looked like a bronze ornamental bear prop and playfully twirled around before returning it to its proper place. And, periodically, he would freeze in position, stare out at the audience and smile as if there were some joke that the crowd was missing.

At the conclusion of album closer “God’s Love to Deliver,” James only briefly stepped away from the stage before starting the encore with acoustic tracks. His rendition of the latter-day My Morning Jacket song “Wonderful (The Way I Feel)” was helped by stripping the string accompaniment that made the track sound rom-com syrupy on the album.

From there, the evening finally switched gears to head-nodding rock jams when James broke out material from his supergroup side project, Monsters of Folk.

During “Dear God,” the most notable track from the self-titled album, the hirsute frontman was joined by fellow Monster of Folk, Conor Oberst, for a cameo verse. The Bright Eyes singer appeared on stage wrapped in black cape and added his voice to a few lines before unfurling the cape with arms outstretched for the remainder of the track. At the end of the song, he covered his head and vanished offstage.

The set ended with three more Monsters of Folk tracks — “His Masters Voice,” “The Right Place” and “Losin Yo Head” — before ending with a rousing song from his contribution to New Multitudes, a Woody Guthrie tribute album, called “Changing World.”

Then, James inexplicably snatched the ornamental bear once again and appeared as if he were going to toss it into the audience. He seemed to offer it a prayer before setting it aside and leaving the stage for good.

Set List: 

State of the Art (A.E.I.O.U)
Know Til Now
Dear One
A New Life
Exploding
Of the Mother Again
Actress
All Is Forgiven
God’s Love to Deliver

Encore:

Wonderful (The Way I Feel)
Dear God (with Conor Oberst)
His Master’s Voice
The Right Place
Losin Yo Head
Changing World