Kasabian Crush New York: Behind the U.K. Band’s Terminal 5 Invasion

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Backstage and onstage at an explosive show supporting their most recent U.K. Number One, ’48:13′

Kasabian released 48:13, their fourth consecutive U.K. Number One album, and played a headlining set in a pyramid stage at the country’s Glastonbury Festival in June. Three months later, they returned to the U.S., bringing the North American leg of their tour to New York’s Terminal 5 on September 27th. Rolling Stone caught up with the group in Manhattan, documenting their busy day in the Big Apple from the pool hall to the front row of their sold-out show.

BeforeKasabian’ssoundcheck, the band went to the Green Door in Hell’s Kitchen, a cozy bar where guitarist Sergio “Serge”Pizzorno (left) and singer TomMeighan (right) could shoot pool.

Having finished the game – solids appears to have won – Meighan and Pizzorno sit at the bar.

Soundcheck begins, and the band faces an empty Terminal 5.

The lights turn pink and (from left to right) bassist Chris Edwards, Pizzorno and guitarist Tim Carter discuss the set list.

The agreed-upon set list.

Drummer Ian Matthews warms up on the ledge that overlooks the Terminal 5 stage.

A crew member bringsPizzorno’s guitars to the stage.

Meighan mugs for the camera. The band’s pre-show playlist includes, at this moment, theBeastie Boys’ “Intergalactic” and up next, the Beatles.

About to go on.
Meighan onstage. The band would open with one of their new tracks, “Bumblebee,” before turning toward “Shoot the Runner” (from 2006) and “Underdog” (2009).

Meighan addresses the sold-out crowd. A set highlight came when the band turned the intro from “The Doberman” into 2009 track “Take Aim” midway through the show.

Pizzorno and Meighan work it.
A rock star’s rock star,Pizzorno knocks out a big riff in front of the drum riser.

The band laughs about the first portion of the show while catching their breath before the encore.

Pizzorno leaps during an encore performance of “Vlad the Impaler.” They would follow the song with a cover of Fatboy Slim‘s “Praise You.”

The view from the front of stage asKasabian took their final bow after closing with 2004’s breakout single, “L.S.F. (Lost Souls Forever).”

Exhausted, Pizzorno walks offstage. Kasabian’s 48:13 tour would continue the next night with a show in Washington, D.C.

Kasabian play to 50,000 fans at Leicester homecoming

Jordan Hughes of Kasabian

Jordan Hughes of Kasabian



Kasabian played to 50,000 fans at their giant Leicester homecoming show yesterday (Saturday).The gig, the weekend before their Glastonbury headlining performance, took place at the city’s Victoria Park, and featured at least three songs from each of their five albums.Before the band appeared on stage, a bright pink backdrop, the same colour as the artwork from new album ’48:13′, displayed a countdown clock. When 10 seconds remained, the crowd enthusiastically counted down before white sheets dropped all around the stage.

The band – Tom Meighan, Serge Pizzorno, Chris Edwards and Ian Matthews plus two backing singers and other assorted musicians – walked on stage and quickly began playing ’48:13′ opener ‘Bumblebee’, followed by ‘Shoot The Runner’ from their 2006’s second album ‘Empire’ and ‘Underdog’, from 2009’s third album ‘West Ryder Pauper Lunatic Asylum’.

“How’s your day been?” asked Meighan in one of many chats about the crowd’s wellbeing. “Good? Glad to hear it. Now put your hands toward the sky.” The backdrop was ever-changing, with various slogans – ‘bumblebee’, ‘coal’ and ’20/20′ among them – and string and brass sections and backing singers joining in for numerous songs in the 20-track set.


As for the songs played, it was largely the same as those performed at their WarChild Shepherd’s Bush Empire gig earlier in the week, although the swapped ‘Where Did All The Love Go?’, criticised by some that night for its slow pace, for the far more upbeat ‘West Ryder…’ track ‘Fast Fuse’.’Processed Beats’ began with the intro from House Of Pain’s ‘Jump Around’, and finished with Pizzorno repeatedly singing “Don’t push me cos I’m close to the edge” from Grandmaster Flash classic ‘The Message’, while Meighan left the stage after a brief run through ‘The Doberman’, letting the guitarist take over on lead vocals for ‘West Ryder…’ track ‘Take Aim’.

Speaking to NME before the gig, Pizzorno said: “We’ve been planning to play Victoria Park for years. It’s amazing that we’re taking over a whole city, and then bringing everyone from all over the world to Leicester and showing them where we’re from.”

Chants of ‘Leicester’ rang out throughout the evening, with the band expressing love for their hometown at every opportunity. Pizzorno wore a t-shirt emblazoned with ‘Les-tah’. Before ‘Fire’, which closed the main set, Meighan once again thanked fans in the city, saying: “We started this band in 1997, me, Serge and Chris, and now we’re here and playing Glastonbury next week. Thank you.”

The encore was perhaps the most successful section, the band returning to the stage with ‘Switchblade Smiles’ from ‘Velociraptor!’ and ‘Vlad The Impaler’ from ‘West Ryder…’ before Meighan stopped to thank the crowd once again. “10 years ago we were playing shitholes,” he said, “and here we are now with you lot.”

As he spoke, the band struck up their cover of Fatboy Slim’s ‘Praise You’, which merged into huge closer ‘L.S.F’ after a couple of minutes. As the song finished, guitarist Pizzorno whipped off his shirt and dived into the crowd, Meighan carried on singing without the band and guitarist Chris Edwards came up to the front for a rare moment. He said: “I never get a chance on the mic. So thanks Leicester. You’ve made my fucking year.”

The event, to celebrate Kasabian’s 10th anniversary, was the largest staged in the park since BBC Radio 1’s One Big Sunday concerts in 2001 and 2003. Support came from DJ Zane Lowe and Beardy Man, Jagwar Ma and Rudimental, who DJed their way through hits from debut album ‘Home’.

Kasabian will headline Glastonbury’s Pyramid Stage on Sunday June 29.

Kasabian played:
‘Shoot The Runner’
‘Fast Fuse’
‘Days Are Forgotten’
‘Processed Beats’
‘The Doberman’
‘Take Aim’
‘Club Foot’
‘Switchblade Smiles’
‘Vlad The Impaler’
‘Praise You’