Pearl Jam’s U.S. Tour Dates

Eddie Vedder - Frontman of Pearl Jam

Eddie Vedder – Frontman of Pearl Jam / Photo Jason Oxenham/Getty Images

Pearl Jam have announced a 12-city October U.S. tour, following a summer trek to Europe, that includes their appearance at Austin City Limits Music Festival. Tickets for the shows go on sale May 30th.

Last year, the group put out their 10th studio album, Lightning Bolt, which frontman Eddie Vedder kvelled about in an interview with Rolling Stone. “I say this in the least-competitive way possible, but we’re trying to make not just the best Pearl Jam record, but just the best record,” the singer said. “It’s about getting to the next level of communication, or just trying to crack a code into some higher plane of playing music.”

Outside of the world of Pearl Jam, the group’s guitarist Mike McCready wrote an article for Rolling Stone about how Kiss had inspired him growing up, as the makeup-faced hard rockers were inducted into the Rock and Roll Hall of Fame. Moreover, he revealed that he wasn’t the only member of his band to garner inspiration from the group. “Pearl Jam sit down and have conversations about Kiss all the time on tour,” he wrote. “My band used to do ‘C’Mon and Love Me.’ Matt Cameron played in a Kiss tribute band when he was 14. They got so big around San Diego that they got a cease-and-desist order from Casablanca Records. Jeff Ament used to play ‘She’ in his band Deranged Diction. There’s a Kiss through-line to a lot of the music that came out of Seattle, and it hasn’t been talked about a lot.”

Via Rolling Stone Mag

Pearl Jam U.S. tour dates:
10/1 Cincinnati, OH – U.S. Bank Arena
10/3 St. Louis, MO – Scottrade Center
10/4 – 10/5 Austin, TX – Austin City Limits
10/8 Tulsa, OK – BOK Center
10/9 Lincoln, NE – Pinnacle Bank Arena
10/10 – 10/12 Austin, TX – Austin City Limits
10/14 Memphis, TN – FedEx Forum
10/16 Detroit, MI – Joe Louis Arena
10/17 Moline, IL – iWireless Center
10/19 St. Paul, NM – Xcel Energy Center
10/20 Milwaukee, WI – BMO Harris Bradley Center
10/22 Denver, CO – Pepsi Center

Angst Endures for a Pioneer of Grunge [Lightning Bolt album review]

Tiago Canhoto/European Pressphoto Agency.   Eddie Vedder of Pearl Jam, which is releasing its 10th studio album today.

Tiago Canhoto/European Pressphoto Agency.
Eddie Vedder of Pearl Jam, which is releasing its 10th studio album today.

By JON PARELES, NATE CHINEN and BEN RATLIFF
Published: October 14, 2013
The New York Times

“All the demons used to come round,” Eddie Vedder sings in “Future Days,” the ballad that closes “Lightning Bolt,” Pearl Jam’s 10th studio album. “I’m grateful now they’ve left.” Well, not entirely: Pearl Jam still needs something to brood about.

“Lightning Bolt” (Monkeywrench) is Pearl Jam’s current answer to the open question of how to create honest rock as a grown-up. The music that has made Pearl Jam an arena headliner for two decades, with a huge and loyal following, is based on churning and seething, on Mr. Vedder’s mournfully forthright voice and on tensions that often explode into choruses of desperate affirmation. With songs about self-doubt, loss, abusive relationships and political fury, Pearl Jam nevertheless turned out to be the one stable band (give or take a drummer) among the major pioneers of grunge; its members have prospered and settled down.

But complacency would undermine Pearl Jam’s music. So Mr. Vedder continues to ponder and agonize: this time, often, over mortality and faith. “Go to Heaven, that’s swell/ How you like your living in Hell?,” he taunts in the punky “Mind Your Manners.” He warns humanity against arrogance and shortsightedness in “Infallible,” as the music hints at the Beatles’s “Magical Mystery Tour.” The eerie, gorgeous “Pendulum” suspends Mr. Vedder’s voice amid echoing keyboards and guitar as he sings about looming despair. But he also finds euphoria, a oneness with Nature and spirit, as major chords peal all around him in “Swallowed Whole.”

“Lightning Bolt” is not as raw or reckless as the music Pearl Jam made in the 1990s; it also trades away the rough-and-ready sound of Pearl Jam’s previous album, “Backspacer” from 2009. With the producer Brendan O’Brien, Pearl Jam now offers some of the most unrepentantly pretty arrangements in the band’s entire catalog; “Sirens,” an apologetic love song that also warns, “We live our lives with death over our shoulders,” has the sheen of “Hotel California.”

Whether he’s singing a ballad or a rocker, Mr. Vedder carefully outlines the melodies, no matter how worked up he gets (and he does). Even when the music goes hurtling forward in hard-riffing songs like “Getaway,” “My Father’s Son” and the album’s peak, “Lightning Bolt” itself, what comes across is the teamwork of musicians who have been working in tandem for decades. They’re grown-ups with fewer demons and more polish, but they’re still pushing themselves.

Pearl Jam hits Pittsburgh like a lightning bolt with tour kickoff! Amazing Concert!

This slideshow requires JavaScript.

Pictures:Matt Freed

Eddie Vedder leads Pearl Jam at Consol Energy Center Friday night.

The lights went down in Consol Energy Center at 8:21 — almost an hour after the ticket time — and with the live premiere of the pensive new song “Pendulum,” the Lightning Bolt Tour was on.

Having rehearsed on it all week, Pearl Jam was well acquainted with the Consol stage and everything to be played on it, and tonight, it was time to christen Pearl Jam’s first full U.S. tour since 2010 and first concert in Pittsburgh since 2006.

“I was starting to get nervous about our first gig,” Eddie Vedder said at one point, “and I happened to be talking to Bruce Springsteen, and he said, ‘Aw [expletive], it’s in Pittsburgh, it’s going to be a smoking crowd.”

True to form, it was a high-energy, high-spirited, nearly 30-song Springsteen-style marathon from Eddie and the boys, who made it feel like they were FROM Pittsburgh.

Pearl Jam had teased a few new songs in a pair of shows this summer — one at Wrigley Field, one in London, Ontario — but this was the live debut for many of the tunes from “Lightning Bolt.” Although it doesn’t come out until Tuesday, it was streamed on iTunes this week, so the Pearl Jam faithful were prepared.

When he sang “Pendulum” in his rich baritone, drawing out that great line “Easy come, easy go/easy left me long ago,” there was already a spark of recognition. The band is obviously proud of this one, and with good reason.

When they powered through the title track and the breakneck single “Mind Your Manners,” they already sounded like songs from a future “greatest hits” collection. They were paired with the furious “Animal” as an easy compare and contrast to older days.

Of course, Pearl Jam is just as effective, or more so, in the mid-tempo zone, making songs like “Nothingman,” “Elderly Woman Behind the Counter in Small Town” and “Faithfull” sing-along celebrations.

Add to that “Sirens,” a beauty from the new album about the fragility of life, with death right outside the door. “Unemployable” was delivered as “a fate I wish on everybody in Congress,” Mr. Vedder said. Something about “Daughter” made him think of Franco Harris because he inserted a breathy chant of “Let’s Go Franco” into the song, followed by a toast to the running back he said was the best when he was growing up.

Pearl Jam, surrounded on all sides in the sold-out house, chose to forego the giant screen approach. There were hanging lantern globes, and a cluster of lights above that looked like a found object sculpture of a metal band’s unreadable logo.

Later into the set, Pearl Jam — also Mike McCready, Stone Gossard, Jeff Ament and Matt Cameron — applied its full force to “Unthought Known” and “Rearview Mirror,” and the brooding power ballad “Yellow Moon,” with its David Gilmour-inspired solo.

After the energy flagged on “Footsteps,” PJ brought up a special guest, a wound-up Jason Grilli, who delivered a rowdy pep talk for Pirates fans and stayed to stomp around the stage and play air guitar, in a matching Vedder plaid, for “Whipping.”

The energy cooked on an extended “Better Man” and amped-up “Porch,” which had Eddie swinging around on one of the lanterns, and the songs that brought ’em to the dance 22 years ago — “Black” and “Alive.” The band wrapped up with a lights-up cover of Neil Young’s “Rockin’ in the Free World” and a quiet “Yellow Ledbetter.”

If Pearl Jam was saving anything for show No. 2, 3 or 10, it certainly didn’t show on an amazing, exhausting, uplifting opening night.

Corrected: Jason Grilli appeared on the song “Whipping.”

Set list

Pendulum

Of the Girl

Nothingman

Elderly Woman Behind the Counter in a Small Town

Lightning Bolt

Mind Your Manners

Animal

Got Some

Given to Fly

Untitled

MFC

Faithfull

sirens

Unemployable

Why Go

Daughter

Infallible

Let the Records Play

Unthought Known

Rearview Mirror

ENCORE

Speed of Sound

Yellow Moon

Footsteps

Whipping

Do the Evolution

Better Man

Porch

ENCORE 2

Black

Alive

Rockin’ in the Free World

Pearl Jam: Lightning Bolt – review

Pearl Jam

Pearl Jam. Photograph: Danny Clinch

Pearl Jam: Lightning Bolt – Album Review
By Dom Lawson

Still flying the flag for independence of thought and movement while stoically avoiding getting bogged down in the music-biz bullshit that so plainly jars with their earnest motives, Pearl Jam have always been admirable, even when their music has fallen some way short of exciting.

Pleasingly, Lightning Bolt finds the Seattle quintet in a more bullish and spiky mood than usual, as exemplified by the furious, spittle-spraying punk rush of Mind Your Manners. On the similarly urgent My Father’s Son, they pull off the neat trick of sounding like Fugazi and UFO at the same time, as Eddie Vedder delivers one of his most intense performances to date.

There are still gentle moments here, of course: the plaintive shuffle of Sirens and the wonderfully fragile Pendulum striking the sweetest chords. Elsewhere, the title track nimbly evokes the surging spirit of Pearl Jam’s mid-90s creative zenith, replete with a euphoric frisson of Springsteen-esque bombast, while Let the Records Play lives up to its name with an infectious, blues-flecked groove. A few ponderous moments aside, this is a sturdy return to great form.

Published on Jul 11, 2013
Pearl Jam is back with their tenth studio album, Lightning Bolt, out October 15th, 2013. Pre-order the album here: http://smarturl.it/PJLightningBolt

SUBSCRIBE: http://bitly.com/PJ_Subscribe
LIKE on Facebook: http://bitly.com/PJ_Facebook
FOLLOW on Twitter: http://bitly.com/PJ_Twitter

With nine studio albums, hundreds of live performances, and hundreds of live concert bootleg releases, Pearl Jam continues to be a major force in rock and roll today. Subscribe to Pearl Jam’s YouTube channel for more music, live videos, and behind the scenes footage!

Pearl Jam Talk ‘Lightning Bolt’ + “Sirens” Official Music Video

Lightning Bolt, A Short Film by Danny Clinch – Pearl Jam

Pearl Jam’s new record Lightning Bolt is set for release on October 15th, and now the band is offering a peek inside the record with a new short documentary directed by Danny Clinch. (He helmed the band’s 2007 concert film Imagine in Cornice, as well as the videos for Lightning Bolt tracks “Sirens” and “Mind Your Manners”).

“Sirens” is currently available for purchase on iTunes.

The short film takes a unique approach, with the band chatting about the new record with a handful of interviewees, including director Judd Apatow, Portlandia star and rocker Carrie Brownstein, champion surfer Mark Richards and former NFL safety Steve Gleason.

Intercut with tracks from Lightning Bolt, the band opens up about their new material and the continued growth of their songwriting process, with frontman Eddie Vedder drawing similarities between writing music and surfing. “The wave is actually the song and the words are kind of like the board, so it’s really how you’re moving around that,” he says. “Surfing is pretty easy once you’re on the wave, and so is songwriting, once you’re on the wave. But you can spend a lot of days out there paddling around and not getting anything.”

Pearl Jam have shared an official music video for “Sirens,” the second single off their upcoming 10th studio album, Lightning Bolt (out October 15th).

The stark clip, directed by filmmaker-photographer Danny Clinch, finds the band playing the mid-tempo power-ballad on a moody, dramatically lit stage. It’s a sharp contrast to the chaotic “Mind Your Manners” video (also directed by Clinch), which featured images of massive explosions and falling missiles. Clinch has a long history with the band, having also directed their 2007 concert film, Immagine in Cornice.

“Sirens” (Official Music Video) – Pearl Jam

Pearl Jam have worked with a handful of producers over their two-decade career, but they keep coming back to Brendan O’Brien. He first worked with the band on Vs. in 1993, and since then he’s produced everything from Vitalogy to Yield to their 2009 LP Backspacer. O’Brien teamed up with Pearl Jam again for their upcoming 10th disc, Lightning Bolt, in stores on October 14th.