It’s official: drummers are smarter than you (and everybody else)

Drummer Meg White

Drummer Meg White


Far too often, drummers have been given the shaft. Second to only, maybe, bassists, they’re the member in the band considered most replaceable: you can just pull some chump off the street, sit him behind a kit, and on with the show.
According to science, however, drummers aren’t the mouth-breathing neanderthals humorists have made them outto be. News and analytics site PolyMic compiled a group of studies that indicate drummers are not only generally smarter than theirbandmates, they actually make everyone around them smarter too.
The research suggests that drummers have innate problem-solving skills and a positive impact on communities.
Researchers at Stockholm’s Karolinska Institute found that, after playing a series of beats, drummers who had better rhythm scored better on a 60-question intelligence test. Seems using all the various parts of a drum kit to keep one steady beat is actually an expression of intrinsic problem-solving abilities.Furthermore, other studies show that rhythmic music can actually make other people smarter.

A University of Washington psychology professor found that his students got higher scores after undergoing rhythmic light and sound therapy. A University of Texas Medical Branch researcher using the same method on elementary and middle school boys with ADD noted an effect comparable to Ritalin. In fact, the boys’ IQ scores actually went up and stayed up.It gets even crazier, and more primordial, with reports suggesting drumming played a role in our own civilization.

Researchers at the University of Oxford discovered that drummers produce a natural “high” when playing together, heightening both their happiness and their pain thresholds. The researchers extrapolated that this rhythmic euphoria may have been pivotal in mankind establishing communities and society.
Essentially, drum circles were the very foundation that made human society possible.And for one final bullet into the heart of drum machine enthusiasts everywhere: When drummers make errors in beat, they’re actually tapping into a natural rhythm found all over Earth.
Harvard smarty-pants discovered that a drummer’s internal clock doesn’t move linearly like a real clock, but rather in waves. This wavy rhythm pattern is found in human brainwaves, sleeping heart rates, and the nerve firings in felines’ ears. So when a drummer slips up, they’re actually just matching the elemental beat of the world.To boil it all down, drummers are smarter than you, more in-tune with nature than you, and are the whole reason you and I have a society in which to mock drummers in the first place. Kind of puts a whole new perspective on our “Greatest Drummer of All Time” poll, don’t it?
PolyMic also recently looked at research on guitarists’ brain power, determining that shredders are more intuitive and in fact slightly psychic.Next, we’ll learn how bassists are better than the rest of us at 2048.

The Most Overrated Rock Bands


Overrated bands suck. It’s a fact of life. Once the trendy musical press get hold of a band it’s only a matter of time before they commit suicide with douche-bullets. But what bands have suffered most at the hands of the hype machine? Let’s find out.

Just The Facts

Overrated bands start life as good, wholesome underground bands. The mainstream media will eventually take hold of them and will inject money and ghey into the band. Suddenly everyone in the world loves your favourite band, and they’re already on their 8th album.

Objectivity Vs. Instinct

Regardless of personal opinion, an objective person can admit that at one point an overrated band was merely; a rated band. This gives the band a 2-3 year / 2-3 album window where they were devastatingly awesome as ten bears. It is at this mark approximately that things go awry. Either the band notices that album sales are good, or concert attendances have sky-rocketed or their record label informs them that they definitely need more lasers at their shows – that the transformation begins. Seemingly overnight they are the biggest thing on the planet they are doomed to be considered jeb-ends until the end of time.


“Take THAT, the establishment!”

Green Day are a Californian pop-punk band from California. Their very moniker is derived from the days when they used to cut class and get baked, or some other thoroughly unimpressive teenage cliché. Their debut release ‘Dookie’ was released to great critical acclaim and was actually pretty good considering it’s named after a piece of shit. Nowadays, within a mere decade and a half, they are now the baldy middle-aged purveyors of ‘rebellious’ pop. Since their 2004 release “American Idiot,” they have become a bona-fide parent-approved punk band. That Mam and Dad will listen to in the car after they’ve dropped you off to school. They’re latest album “21st Century Breakdown” has also demonstrated a classic overrated band trait, whereby it takes them 5 years to make the next record. When all the record contains is 3-chord tricks. Know Your Enemy? Yeah, it’s everyone that bought Dookie before 2004.



Meet The Beatl…? No, Meet Oasis obviously…

These Mancunian Britpop plagiarizers are best known for fierce inter-band fighting and no doubt, somewhere down the line, fierce inbreeding. Again, this band had a very strong debut and sophomore record but then succumbed to sucking. Drug addictions may have contributed to lengthy periods between albums, and lengthy periods between albums may have contributed to them being basping. Or it could have been their filthy, shameless pilfering of entire songs (albums?) from The Beatles and T. Rex. One of the two. Dig Out Your Soul? No, just keep digging. And digging…



These Canadian Prog-Rock mouthbreathers have earned a place in the history books for humble conceptual retardation and for having the most prolific legion of apocolyptically pretentious fans under the sun. This band grew into maturity and developed a fan base after having produced a number of records. The inclination of their fan base seems to tally with the period within which they began producing some of the most disappointing concept albums of all time. And singing about dragons or whatever. This just goes to prove that pot wasn’t as unpopular in the 70’s as you were led to believe. This band also exercise the right to gargantuan respite periods, due to band break-ups and so forth; much to the chargrin of their fans. In my experience (as Anglo-Canadian Prog Metal Ambassador and correspondent), Rush fans are the jacket-and-jeans wearing, male equivalent of bagladies that are willing to kill in the name of Lee, Lifeson and Peart. Genuinely, this band started life with a great of potential.

They went from “Funny/Peculiar” to “OHMYFUCKINGGODTHESEGUYSAREFUCKINGHILARIOUS!” within a few small steps.



Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Must Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Must Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Must Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey. Kill Morrissey.



“Hello! Helloo!! Oh, he’s completely ignoring me…”

U2 began life in the late 70’s as a promising post-punk that rose to fame in the 80’s. Unfortunately, since their inception, this band has been whining and activisming all over the world. I say the band, Bono. The other band are nameless, faceless drones that occasionally (like, really occasionally…) will make a record for Bono. The bands pro-active stance on many world issues, that we’re all meant to stand in too, seemed to alienate many fans; which led to the band experimenting with any and every genre that was popular in an attempt to win said fans back. So they could tell them about this thing called AID’s. Apparently it’s a real drag.



They were good for their time, very influential, but people still act like they’re the best thing in music. That was like 50 years ago, the entire music scene has moved so far past them. I feel like a lot of people always reference them due to popular opinion.

(Dis)Honourable Mentions
Linkin Park, Avenged Sevenfold, Judas Priest, Kings of Leon, Razorlight, Coldplay, Fall Out Boy, My Chemical Romance, Nickelback, The Killers, Dragonforce, 30 Seconds To Mars, Bullet For My Valentine, Haim, Tool…

5 Things Your Favorite Band Does to Exploit You – Oh Nooooo!

By Adam Tod Brown

Overzealous fans can be an endless source of income for a successful band. Musicians and record labels alike are well aware of this and aren’t above exploiting it at every opportunity that presents itself. Whether it’s the doing of the actual artist or just corporate music shenanigans that are out of their hands, the fact remains, when the music industry decides to sink their teeth in, the ones who get bled are usually the most loyal supporters. Here are a few ways it happens …

#5. Fan Club Presale Tickets

Kevin Winter/Getty Images Entertainment/Getty Images

Kevin Winter/Getty Images Entertainment/Getty Images

Is there a less “cool” group of musicians you can publicly admit to enjoying than Fleetwood Mac? Yes, the Eagles and/or Nickelback, but that’s about it. And to that I say, whatever kids, Tusk is the shit, and Lindsey Buckingham is probably the most underrated guitar player on the planet, as you can watch him prove for damn near six solid minutes starting at the 3:23 mark of this video:

So when Fleetwood Mac announced in 2003 that they’d be touring for the first time in years, I wanted to be there. After investigating the matter on Ticketmaster, I found that tickets were available to “fan club” members two days early. With that information in hand, I quickly assembled my stockpile of Fleetwood Mac CDs so I could remove the proof of purchase codes I figured I’d have to mail in to become a member. The last time I’d dealt with a transaction of this nature, G.I. Joe Flag Points were the currency of choice. How much different could this be?

These spent like money in the '80s.

These spent like money in the ’80s.

The answer was “a lot different,” as it turned out. Joining the Fleetwood Mac fan club required a yearly membership fee of $79.95, an investment that was rewarded with the following:

-Advance news and concert notification

-Advance ticket purchase options

-Insider news

-Audio, video and photo exclusives

In other words, you didn’t get shit except the right to buy some of the most expensive concert tickets on earth a couple days early. I didn’t sign up, because I’m not stupid, and to their credit, Fleetwood Mac fans revolted so vehemently that the fan club was eliminated altogether.

That doesn’t mean shenanigans like this have stopped happening, though. Plenty of bands, like the Who, for example, still offer up absurdly priced fan club memberships to anyone “dedicated” enough to pay the $50 annual fee.

Larry Busacca/Getty Images Entertainment/Getty Images How much is seeing Roger Daltrey's surgery scars in person worth to you?

Larry Busacca/Getty Images Entertainment/Getty Images
How much is seeing Roger Daltrey’s surgery scars in person worth to you?

It’s not all bad news for superfans, though. The Internet always seems to find a way to make paying for things you can’t hold in your hand (like MP3s or Photoshop) a whole lot cheaper. Concert ticket presales are no exception. Should you ever find a useless fan club membership standing between you and getting tickets to see your favorite band before everyone else, don’t take the bait. Instead, direct your browser to one of the countless, quasi-legitimate websites that will sell you the presale password to pretty much any show, usually for less than five bucks. Thanks, Internet!

#4. Deluxe Edition Rereleases

Alberto E. Rodriguez/Getty Images Entertainment/Getty

Alberto E. Rodriguez/Getty Images Entertainment/Getty

One of the shittiest trends of the past decade or so in music has been the rise of the “Deluxe Edition” album. If you’re unfamiliar with the term, it’s just a regular CD with a few extra bells and whistles attached in the hope that it will inspire consumers to spend a little extra money. After all, what kind of fan would you be if you didn’t buy the version of the album that comes with a faux-leather jewel case and two extra songs the band doesn’t even like that much?

Sure, this type of thing has been around forever and isn’t limited to the music industry, but in recent years it’s become common practice to release albums twice, once as a “Standard” edition and again a few months later as a “Deluxe” or “Expanded” edition. Like this totally worth it deluxe edition of Limp Bizkit’s probably terrible 2011 album, Gold Cobra, for example, which will set you back a mere $34.99.

Amazon.  Use it to kill yourself!

Use it to kill yourself!

One of the more egregious examples from recent memory is Beyonce’s stupidly titled I Am … Sasha Fierce album. She released two versions on the same day, one with 11 songs, the other with 17. However, for “artistic” reasons, both were released as double albums, a move that undoubtedly caused the needless destruction of acres upon acres of whatever tree they kill to produce compact discs.

Not to be outdone by his spouse (especially because it came out years earlier), Jay-Z’s The Blueprint 2 was initially released as a double album and then scaled down to a single disc and rereleased when it was revealed that at least half the songs were fucking terrible. Here’s a question: Shouldn’t people who paid for the original just get the shorter, less awful version for free?

Amazon. Pictured: a class action lawsuit waiting to happen.

Amazon. Pictured: a class action lawsuit waiting to happen.

It’s not just the rappers and pop singers of the world getting in on the rerelease gold rush. Indie darlings Arcade Fire put out an expanded version of their Grammy award-winning album, The Suburbs, that came with nothing more than two extra songs and the Spike Jonze-directed short film Scenes From the Suburbs. You know what else comes with those things? The Internet.

If we were still living in the days when the technological limitations of cassettes and LPs meant adding a bunch of extra songs could spell the difference between a single and a double album, I could accept that the extra cash may indeed be justified, but that was a long time ago. In the age of 99-cent downloads, asking fans to pay another $10-$20 just to get an extra song or two is highway robbery. You’re lucky anyone is paying anything anymore.

#3. Retailer-Exclusive Tracks

Zak Hussein/Getty Images Entertainment/Getty Images

Zak Hussein/Getty Images Entertainment/Getty Images

By this point at least some of you are reading this and wondering why any of it even matters, because who buys albums or CDs anymore, anyway? Plenty of people, actually. At least for now, they still account for the majority of music sales in the United States.

One tactic the big box retailers of the world commonly use when fighting for what’s left of that rapidly dwindling market is the exclusive bonus track, which is exactly what it sounds like, an extra song that’s only available when you buy from one specific retailer.

Darren McCollester/Getty Images News/Getty Images For all your Kid Rock needs

Darren McCollester/Getty Images News/Getty Images
For all your Kid Rock needs

For those old souls out there who still have moral quandaries about illegal downloading but enjoy the music of a band enough to want every song they release, it can make being a fan an unreasonably expensive proposition.

Say you bought the landmark rock music opus The Music of Glee: Vol. 1 on iTunes, for example. That outlay of cash got you the original album along with a bonus track, a cover of “Say A Little Prayer” by Dionne Warwick. But what if you wanted to hear the cast of Glee tackle “I Wanna Sex You Up” by Color Me Badd? First of all, I know you do, so by all means, don’t let me stand in your way …

If you were hoping for a physical copy though, you’re out of luck unless you bought the CD at Target.

One of my favorite retailer-exclusive debacles involved the Bloc Party album A Weekend in the City. It was released with exclusive bonus tracks scattered everywhere from Target to eMusic to Napster. Not only did the official album receive mixed reviews, but many agreed that a fan-compiled collection of the various exclusive bonus tracks, cleverly titled Another Weekend In the City, was actually the better album of the two. To get all of those songs through legal means, you’d have to buy the legitimate release at least eight times.

Amazon.  Nope x 8!

Amazon. Nope x 8!

No band is worth that kind of financial excess, but plenty of them think they are. If that wasn’t true, there wouldn’t be so many …


#2. “Artsy” Box Sets

Cindy Ord/Getty Images Entertainment/Getty Images

Cindy Ord/Getty Images Entertainment/Getty Images

When it comes time to really bleed the fanbase of every expendable dime they have, nothing works quite as well as the limited edition box set. After all, what kind of fan would you be if you just bought the $80 version of The Pixies’ Minotaur collection when you could buy the version that comes with five LPs and a book with a doodle of a dick on it for just over $400 more?

Amazon. It weighs less than most really large house pets!

Amazon. It weighs less than most really large house pets!

Ridiculously adorned box sets are an industry standard. From Metallica’s coffin-shaped edition of their last album (you know, the one that sounded like shit compared to the video game version) to the White Stripes’ adorable USB sticks, record labels never run out of fancy box ideas, and the completists and collectors of the world pay dearly for it.

Inevitably, when a box set hits store shelves with a price tag that’s outside the financial reach of most fans, the artist or band in question issues an angry statement denouncing it as nothing more than record company greed that’s completely out of their hands. No one wants to believe their favorite band would gouge the pocketbooks of its most loyal fans, so it’s the kind of controversy that tends to blow over without much notice. That doesn’t mean it’s an excuse you should believe every time though.

Take the case of Motorhead’s Complete Early Years box set. When news broke that it would set die-hard supporters back more than $500, Lemmy Kilmister himself asked fans not to buy it, claiming the band has no control over what their old record label does with their early recordings. Do I believe that? Sure, as much as I believe a glowing skull full of Motorhead albums is worth a half-thousand dollars.

Amazon.  Look at it!

Amazon. Look at it!

Beyond that, we’re not talking about old recordings being repackaged by a greedy ex-record label. This is a soundboard recording of a concert that happened in 2011 being released by the record label that Elvis Costello is still signed to. He signed each set by hand. Yet we’re somehow expected to believe that not once during the creation of this document of the last year or so of his life as an artist did Elvis Costello ask how much it would sell for? I believe that like I believe a box full of one Elvis Costello concert is worth 10 times more cash because it has a paper wheel on it.

Amazon. It spins just like a real wheel!

Amazon. It spins just like a real wheel!

In other words … maybe? Elvis Costello is no glowing skullful o’Motorhead, but he’s still pretty great.
#1. Milking the Vaults

Amazon. Frank Micelotta/Hulton Archive/Getty Images

Amazon. Frank Micelotta/Hulton Archive/Getty Images

Making fun of bands that a lot of people tend to enjoy has been my shtick for a long time. As I’ve explained previously, though, I’m just doing my job. Sometimes, I like the band in question just as much as you do. I’m obviously a fan of Motorhead, for example, but I included them in an article about why your favorite band sucks a few weeks ago. Whatever, a lot of the things we love aren’t perfect.

With that in mind, let’s talk about Nirvana. They’re probably my favorite band ever. Back when CDs were a thing I thought I needed, I’d spend stupid money on bootleg CDs featuring all of those unreleased songs and B-sides and all the other good stuff that was so hard to compile in one place before file sharing took off. Once that happened, I had fucking everything. Everything that was out there, at least. There were always those rumored recordings that never surfaced on the illicit MP3 market. The most famous of them all was a song that most fans called “Autopilot” after it surfaced in the form of a super rough live recording on a bootleg called A Season in Hell.

While that particular version never struck me as all that compelling, legend had it that a studio recording existed and that it was amazing. Over the years, talk of a box set featuring that song and all sorts of other wonderful things would come and go. Eventually, fans got the song they wanted (which was called “You Know You’re Right,” as it turns out)

… but instead of being served on a delicious bed of B-sides and rarities like everyone hoped and/or expected, it was tacked onto one of the most questionably track-listed “best of” collections of all-time. Why? Because, like most everything Courtney Love-related, the law got involved. As the story goes, one side wanted to put the song on a box set as planned, the other side wanted to cash in with the greatest hits strategy.

Vittorio Zunino Celotto/Getty Images Entertainment Guess who!

Vittorio Zunino Celotto/Getty Images Entertainment
Guess who!

When that box set, With the Lights Out, did finally arrive … it was kind of a disappointment. Sure, there were some fun things included, like this insane Leadbelly cover about the virtues of not beating your wife on Sunday when there are so many other days in the week you could do it, instead.

There was also plenty of stuff missing, though. A fine example is the unfortunately titled but otherwise pretty great “I Hate Myself and Want to Die,” which was going to be the title track of the band’s final album, In Utero, but ended up on the The Beavis and Butthead Experience album instead, which is fine, too.

It shows up on the box set, but only in the form of a lesser-quality demo. Why leave something like that out? Is it because so many fans still have their Beavis and Butthead CDs in the 10-disc car changer? Is it because, by now, every fan must have gotten their hands on the “Pennyroyal Tea” single, which featured “I Hate Myself and Want to Die” as a B-side and was therefore immediately recalled seeing as how it came out a few days after Kurt Cobain died? Probably not, those routinely sell for hundreds online, if you can even find one that’s legit. It’s not because of any of that. It’s so you don’t feel swindled when you buy In Utero again, except for $125 this time.

Amazon. How about that wacky poster!

Amazon. How about that wacky poster!

Teenage angst never stops paying off well, it seems.

Alter Bridge’s new album ‘Fortress’ leaves the listener with a message

This slideshow requires JavaScript.

Fortress – New Album by Alter Bridge
Set to be released by Roadrunner Records
October 8th in North America. Sept 30th in other countries

Alter Bridge, an American rock band that seems to be built from long-term friendships, are proud to be a Florida-bred band on the rise. With the release of their most successful campaign to date with 2010’s masterful AB III, culminating in a sold out show at Wembley Arena in the UK, the band has been delivering high-energy live performances throughout the US and abroad with their sound that has been called Hard rock, Alternative metal, Post-grunge, Heavy metal or more simply, Rock n’ Roll. They even sold out places such as the House of Blues in West Hollywood, and Los Angeles couldn’t be any more anti-rock these days. That’s how much on fire Alter Bridge are. They are very hot!

Alter Bridge fourth studio album ‘Fortress’ is a personal statement developed by the bustling band out of Orlando, Florida. What began as an improvisation with a more daring approach to share their latest material—arguably their strongest and best-sounding record, and among the best they’ve done to date —has become a musical journey of the band’s belief in the importance of “always trying to improve ourselves and trying to build upon what we’ve done in our past and make each record better.” Even the two midtempo tunes in the album have a really big rock sound, Tremonti explains. “It’s so tempting to say, ‘That’s it. It’s perfect’ the first time you have something. But you never really know it’s as good as it can be until you exhaust every possibility, and that’s what we did.” And we think. after listening to the new album, that this is what Alter Bridge has achieved with “Fortress”

The first track of the album ‘Cry of Achilles’ sets the listener off on a path of self-discovery and inspiration, as the band showcases Fortress’ first tune, a classically influenced furious finger-picking which quickly builds into a modern thrash epic. Its towering rhythms and incendiary riffing temper raw grooves with some of the most impressive playing you’ll hear all year.

“First single ‘Addicted to Pain’ coasts from a stadium-size refrain into fret-burning soloing—some of the best in the game. Kennedy and Tremonti stand out as a formidable duo,” writes Artist Direct. “From the former’s monumental range and impeccable six-string work to Tremonti’s metallic mastery, it’s a dream team on the likes of ‘Bleed it Dry’ and ‘The Uninvited’.”

“You can tell from the title [‘Addicted to Pain’], it’s pretty much about an abusive relationship where somebody just keeps on going in this relationship,” Tremonti says, “getting maybe not just physically beat up but mentally beat up because they’ve done it for so long they pretty much tell them that they must be addicted to this pain to keep on going through it.”

The band show that they are prepared to slow things down for the lighters to come out and break through today’s formulaic music business with their authentic brand of rock. That happens on ‘Lover’, which has big single potential, while ‘Peace Is Broken’ boasts a massive hook. Tremonti’s own powerful voice drives ‘Waters Rising’ adding another dimension to the record. Throughout, Marshall and Phillips hold down the foundation in an airtight synchronicity.

“Sometimes I’ll just sit down and write and I won’t think of any band in particular,” Tremonti says. “I’ll write and then I will go back days later, weeks later or whatever and I’ll go through my ideas and I’ll either throw them out if they don’t speak to me or I’ll label them as a certain part of a song. And then the last thing I do is to put them in which band they should be in. But usually it’s pretty obvious to me. If it’s an old school thrash kind of vibe, if I have a riff like that it’s definitely Tremonti solo stuff. If it’s more of a moody, hard rocking song it’s gonna be an Alter Bridge song, and if it’s more straightforward it’ll be a Creed song.”

‘All Ends Well’ and ‘Fortress’ end this downright amazing journey. It’s metal at its finest, and the band at their best.  “We added this song [All Ends Well] to the record towards the very end. We knew we needed something different for the dynamics of the album, and we also kept in mind that our fans like things like ‘Before Tomorrow Comes’ – the more uplifting tunes that we’ve done in the past. Things were pretty dark and heavy, so we wanted to make sure this tune wound up on the record.”

Alter Bridge’s lyrics and sounds sometimes feel like they are coming from another time —yet always seem firmly rooted in the present. Though the band draws from many diverse influences the result is not a variety show on stage — it’s a collection of powerful sonic landscapes that drive the band’s compelling live shows and hand-built success propelling them into their next stage of growth.

A truly personal band project is evident in the passion and power of each song.

Tremonti explains:

“This is one of the first ideas that I brought to Myles music-wise. I sent him the verse and the chorus, and we kind of forgot about it after that. We came back to it after Elvis said, ‘Let me hear some of the other ideas you two worked on before we started.’ This one stuck out, and Elvis said, Hey, that’s great. Let’s work on it.”

“As soon as the rhythm for the bridge came together, we all fell in love with it. Then it was a matter of getting in and out of the time signature and making all of the parts work.

“Myles and I took turns with the solos: I do the first and third, and he does the second and fourth. On the fourth round, he kind of mimics a descending thing of mine, but he does it with an ascending pattern.

“When my part happens, it’s in D because I was in open D5 tuning, which is a challenge because your B string is up a whole step and a half, so you can’t do some bendy stuff – you might snap the string. It’s hard to do some pentatonic things, as well, because your guitar’s a whole new beast when you tune it that way. I think it’s fun, though, because it doesn’t sound like standard-tuning solos.

“I made sure that I got the D portion that’s in a double-time thing, and then it switches to half-time with Myles in the key of A; after that, it goes back to D with me and back to A with him. Really cool stuff going on. Challenging ourselves on the guitar keeps things interesting for us, and I hope everybody else feels the same way.”

‘Fortress’ guides the listener properly onward with a message and feeling that more hopeful times are ahead — and knowing that rock is still alive and well.  Every song on this album is amazing.  This is one of the greatest bands of all time.

You can pre-order “Fortress” on the band’s website.

Back on the road

Alter Bridge returns to the road on October 4 at the Disney World House of Blues in Lake Buena Vista, Fla., before starting a six-week European tour on October 16 in Nottingham, England. North American dates are expected for 2014.

National Public Radio (NPR) Needs Your Support

Your donation to your designated station makes it possible for NPR and your station to report on the arts & life, music, environment, health, education, international news, and much more, each and every day.

Though many NPR stations, like National Public Radio, Inc., are not-for-profit 501(c)(3) tax exempt entities, please check with your designated station and/or your tax advisor as appropriate to determine the tax deductibility of your gift. Learn more about supporting NPR.

Music Articles
Music Videos
NPR Music Radio
Browse Genres
Browse Artists A-Z

All Songs Considered
First Listen
Live In Concert
NPR Music Essentials
Marian McPartland’s Piano Jazz
The Thistle & Shamrock
World Cafe