Daft Punk – Money and Fame in this Bullshit Game for Life

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Daft Punk videos

A music video fan edit of the track ; “Human After All” is made using the footage from “Electroma”, which was originally intended to be used for Music Videos for the album “Human After All”.

The music video showcases the duo walking through the desert, while flashbacks of them driving a car is shown. One of them dies from a self-destruct, while the other picks up a piece of the other robot and looks at it.

“Human After All” is the third studio album by French duo Daft Punk, first released on March 14, 2005 internationally and a day later in the United States. With it, Daft Punk applies minimalism and rock music to their French house music style. It received mixed reviews noting its reported six-week creation, which is particularly short compared to previous albums Discovery and Homework.

This was made using Sony Vegas Pro 10, using the audio from lossless .wav files, and the footage from Daft Punk’s “Electroma”.

I am not related to Daft Punk in anyway, I am just a fan. All content goes to their respective owners.

The New York Times: Daft Punk Gets Human With a New Album

Guy-Manuel de Homem-Christo, left, and Thomas Bangalter of the French duo Daft Punk. Chad Batka for The New York Times

Guy-Manuel de Homem-Christo, left, and Thomas Bangalter of the French duo Daft Punk. Photo: Chad Batka for The New York Times

That was then:

The band signed with Virgin Records in September 1996 and made a deal through which the duo licensed its tracks to the major label through its production company, Daft Trax. Bangalter spoke of the duo’s decision to sign with Virgin:

“Many record companies offered us deals. They came from everywhere, but we decided to wait—partly because we didn’t want to lose control of what we had created. We turned down many record companies. We weren’t interested in the money, so we turned down labels that were looking for more control than we were willing to give up. In reality, we’re more like partners with Virgin.”

With regard to the artistic control and freedom, Bangalter stated:

“We’ve got much more control than money. You can’t get everything. We live in a society where money is what people want, so they can’t get the control. We chose. Control is freedom. People say we’re control freaks, but control is controlling your destiny without controlling other people. We’re not trying to manipulate other people, just controlling what we do ourselves. Controlling what we do is being free. People should stop thinking that an artist that controls what he does is a bad thing. A lot of artists today are just victims, not having control, and they’re not free. And that’s pathetic. If you start being dependent on money, then money has to reach a point to fit your expenses.”

This is now: A house high in the Hollywood Hills, a swimming pool, and a Porsche, among other things. Let’s hope they still can control what they do and be free – and are allowed to keep their Discovery-era helmets.

This article about Daft Punk appeared today in The New York Times.

Daft Punk Gets Human With a New Album

By Simon Reynolds
Published: May 15, 2013

LOS ANGELES — Thomas Bangalter, half of the influential French dance-music act Daft Punk, has a house high in the Hollywood Hills here. He and his musical partner, Guy-Manuel de Homem-Christo, divide their time between Los Angeles and Paris, where their families live. But for all their jet-setting, there’s little evidence of rock star flash to be seen (well, apart from the Porsche that Mr. de Homem-Christo has parked in the driveway). Built in the midcentury style called post and beam, the bungalow exudes a subtle retro feel, with white carpeting, a cross section of a tree trunk as a coffee table, and a gravel fireplace in the living room. The swimming pool, a small square of radiant Hockney blue, is visible through the glass walls.

Read the entire article HERE